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  1. Piero della Francesca ( / ˌpjɛəroʊ ˌdɛlə frænˈtʃɛskə /, [2] US also /- frɑːnˈ -/, [3] [4] Italian: [ˈpjɛːro della franˈtʃeska] ⓘ; né Piero di Benedetto; c. 1415 [1] – 12 October 1492) was an Italian painter of the early Renaissance. To contemporaries he was also known as a mathematician and geometer. [5]

  2. Apr 2, 2024 · Piero della Francesca, painter whose serene, disciplined exploration of perspective had little influence on his contemporaries but came to be recognized in the 20th century as a major contribution to the Italian Renaissance. Learn more about his life and career.

  3. Learn about Piero della Francesca, an Italian painter of the early Renaissance who used mathematical theory and geometry to create realistic and symbolic religious scenes. Explore his most famous works, such as Polyptych of the Misericordia and The Baptism of Christ, and his influence on modern art.

    • Italian
    • Borgo San Sepolcro, Italy
    • Piero della Francesca1
    • Piero della Francesca2
    • Piero della Francesca3
    • Piero della Francesca4
    • Piero della Francesca5
    • Italian
    • Baptism of Christ Piero della Francesca 1450.
    • The Flagellation of Christ Piero della Francesca 1445-1450.
    • Madonna del Parto Piero della Francesca 1460.
    • The Resurrection Piero della Francesca 1460.
  4. Learn about the life and art of Piero della Francesca, a Renaissance painter from Sansepolcro, Italy. Explore his frescoes, altarpieces, and treatises on perspective and geometry.

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  6. Oct 8, 2020 · Piero della Francesca (c. 1420-1492 CE) was an Italian Renaissance artist whose paintings and frescoes are characterised by their solid figures, bright colours, and harmonious composition. His masterpieces include the painted panel the Flagellation of Christ, which was created c. 1455 CE for the Ducal Palace of Urbino, and his striking portrait ...

  7. Learn about the life and works of Piero della Francesca, one of the most admired 15th-century Italian painters. See his cool colour palette, geometrical compositions and mathematical perspective in his paintings.

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