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Francesco Primaticcio. 1648 woodcut portrait of Francesco Primaticcio. Odysseus and Penelope, 1563. Francesco Primaticcio ( Italian pronunciation: [franˈtʃesko primaˈtittʃo]; April 30, 1504 – 1570) was an Italian Mannerist painter, architect and sculptor who spent most of his career in France .
Apr 30, 2024 · Francesco Primaticcio (born April 30, 1504, Bologna, Emilia [Italy]—died 1570, Paris, France) was an Italian Mannerist painter, architect, sculptor, and leader of the first school of Fontainebleau. Primaticcio was first trained as an artist in Bologna, under Innocenzo da Imola and later Bagnacavallo. He also studied with Giulio Romano and ...
- The Editors of Encyclopaedia Britannica
Feb 21, 2024 · After Rosso's death in 1540, Primaticcio became chief designer. He completed his masterpiece, the Ulysses Gallery, between the late 1630s and 1659. Throughout the 1500s, Primaticcio's elongated, elegant figure-drawing style greatly influenced French painting. His architectural work was equally influential but because many of the buildings he ...
May 29, 2018 · Francesco Primaticcio was born in Bologna on April 30, 1504. He worked in Mantua from 1525 or 1526 until 1532 under Giulio Romano. In the Palazzo del Te, Giulio carried out one of the most elaborate programs of mannerist art in all Italy. He represented a series of mythological scenes and motifs in frescoes and stucco reliefs in a decorative ...
Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris) 1552–56 Apple of Discord Thrown by Eris at the Marriage of Peleus and Thetis: Study for Fresco in the Hall of Henri II at Fountainebleau
The Italian artist Primaticcio went to France early in his career to work for the French king, Francis I. Although most of Primaticcio's energies went into decorating the great palace of Fontainebleau, the present drawing was probably executed for Anet, the château built for Henry II's mistress, Diane de Poitiers (1499-1566).
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Artwork Details. Title: Two Nymphs Carrying a Third. Artist: Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris) Date: ca. 1547. Medium: Pen and brown ink, brown wash, traces of white corrections. Black chalk shading probably added by a later hand. Dimensions: 9 1/8 x 11 in. (23.2 x 27.9 cm)
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