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Antonio Francesco Lodovico Joli (13 March 1700 – 29 April 1777) was an Italian painter of vedute and capricci. Biography [ edit ] Born in Modena , he first was apprenticed to Rafaello Rinaldi.
Joli, Antonio. According to historian Girolamo Tiraboschi, Antonio Joli was a disciple of perspective painter Raffaelo Menia Rinaldi in Modena and later, in Rome, of Giovanni Paolo Panini, a painter of idealized landscapes with classical ruins whose influence on Joli's style was decisive. In 1732, Joli began his career painting theater sets in ...
Antonio Joli: Modena 1700–1777 Napoli. Turin, 2006, pp. 230–31, no. L.IV, ill., dates it 1746–47. Xavier Cervantes in "Venetian Reminiscences and Cultural Hybridity in Canaletto's English-period 'Capricci' and 'Vedute'." 'Fancy' in Eighteenth-Century European Visual Culture. Ed. Melissa Percival and Muriel Adrien.
Antonio Joli’s talent as a reportorial view painter was honed through an itinerant practice that took him from Rome to London. In the 1750s, he returned to southern Italy to paint the sites for European visitors on the Grand Tour as well as local patrons.
View Antonio Joli’s 373 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, works on paper, and prints and multiples for sale and learn about the artist.
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Joli, Antonio. On August 10, 1759, Ferdinand VI died without a descendant. As a result, his stepbrother Charles, then King of Naples and Sicily, inherited the Spanish throne. The first of seven children of Philip V and his second wife Isabel Farnese, Charles VII had reigned for a period of almost 24 years in Naples.
Antonio Francesco Lodovico Joli was an Italian painter of vedute and capricci. Born in Modena, he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under Giovanni Paolo Panini, and in the studios of the Galli da Bibbiena family of scene-painters. He became a painter of stage sets in Modena and Perugia.
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