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  1. en.wikipedia.org › wiki › Erich_HeckelErich Heckel - Wikipedia

    Erich Heckel (31 July 1883 – 27 January 1970) was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics .

  2. Erich Heckel was a German painter, printmaker, and sculptor who was one of the founding members of Die Brücke (“The Bridge”), an influential group of German Expressionist artists. He is best known for his paintings and bold woodcuts of nudes and landscapes. In 1904 Heckel began to study.

    • The Editors of Encyclopaedia Britannica
  3. Erich Heckel. German Painter, Printmaker, Sculptor. Born: July 31, 1883 - Döbeln, Germany. Died: January 27, 1970 - Radolfzell, Germany. Movements and Styles: Post-Impressionism. , Expressionism. , Die Brücke.

    • July 31, 1883
    • January 27, 1970
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  5. Erich Heckel. German, 1883–1970. Starr Figura, German Expressionism: The Graphic Impulse, New York, The Museum of Modern Art, 2011. Painter, printmaker. One of four architecture students in Dresden who formed the Brücke group in 1905; served as its business manager. Early paintings and prints focus on nudes in the studio, cabaret themes, and ...

  6. www.moma.org › artists › 2569Erich Heckel | MoMA

    Erich Heckel (31 July 1883 – 27 January 1970) was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.

  7. www.artnet.com › artists › erich-heckelErich Heckel | Artnet

    View Erich Heckels 7,662 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available prints and multiples, works on paper, and paintings for sale and learn about the artist.

  8. Dec 1, 2016 · In Portrait of a Man, Erich Heckel inscribes the traumas of the war years and the uncertainties of the postwar period onto his own troubled face. This gaunt self-portrait, made one year after the end of World War I, embodies a physical and spiritual weariness that was both personal and national.

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