Search results
André Bazin (French:; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist. He started to write about film in 1943 and was a co-founder of the renowned film magazine Cahiers du cinéma in 1951, with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca .
Jul 7, 2003 · A comprehensive introduction to the film critic, theorist, and humanist André Bazin, who advocated for a realistic and objective cinema. Learn about his concept of the "myth" of total cinema, his analysis of film style and technique, and his influence on film theory and criticism.
A comprehensive overview of the life and work of André Bazin, one of the most influential critics ever to have written about cinema. Learn about his essays, collections, legacy, and debates in film theory and history.
People also ask
Who is André Bazin?
When did André Bazin die?
Is André Bazin a good critic?
Why did André Bazin oppose film theory?
Was André Bazin rehabilitated from postmodern sneers?
How did Bazin transform film criticism into a serious art form?
Apr 18, 2018 · Learn about the life and work of André Bazin, the French thinker who practically invented film studies and championed cinema as an artform and an object of knowledge. Explore his ideas on cinematic realism, his influence on Cahiers du cinéma and his legacy for postmodern film culture.
The French film critic André Bazin (1918-1958) is considred by many to be the father of film criticism as it is practiced today. Immensely influential in his native France and beyond, Bazin transformed film criticism from simple description and evaluation of the film under discussion into an evaluation of film as a serious art form, including ...
André Bazin was born on 8 April 1918 in Angers, Maine-et-Loire, France. He was an actor and writer, known for The Kreutzer Sonata (1956), Portrait d'Henri Goetz (1947) and Le film de Bazin (2017). He was married to Janine Bazin.
In one of his most important articles, André Bazin brings a much-needed sense of perspective to the critical theory dominating the viewpoint of many of the other critics writing for Cahiers du Cinema.
