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  1. The Daughters of Edward Darley Boit (originally titled Portraits d'enfants) is a painting by the American artist John Singer Sargent. The painting depicts four young girls, the daughters of Edward Darley Boit, in their family's Paris apartment.

  2. Oct 28, 2020 · The Rocks. He was born at Boston, Massachusetts, and studied law at Harvard before travelling to Paris to study art with Thomas Couture. In June, 1864, he married the wealthy heiress Isa Cushing and they built The Rocks next door to her brother Robert 's property, "The Ledges".

  3. The Daughters of Edward Darley Boit was painted in Paris in the autumn of 1882, one of a number of portraits of members of the American expatriate community that Sargent made in the French capital in the late 1870s and early 1880s.

  4. Sep 8, 2023 · This is the case for almost everyone I’ve ever met who has seen “The Daughters of Edward Darley Boit,” the enormous 7’x7’ canvas at the Museum of Fine Arts, Boston. They make it a point to come back to this gallery again and again, as they move through childhood and adolescence to adulthood.

  5. Apr 18, 2018 · This book is about John Singer Sargent’s The Daughters of Edward Darley Boit, an unconventional 1882 portrait of Edward and Isa Boit’s four daughters. The book talks about the expatriate Boit family, the lives of the four girls, Sargent (one of my favorite artists ever), and the history of the painting itself.

  6. Aug 31, 2021 · The Daughters of Edward Darley Boit: A Novel. Paperback – August 31, 2021. When fifteen-year-old Victoria grudgingly accompanies her mother to the Museum of Fine Arts in Boston, she has no idea her life is about to change forever.

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  8. Mar 28, 2023 · The Daughters of Edward Darley Boit (originally titled Portraits d'enfants) is a painting by John Singer Sargent. The painting depicts four young girls, the daughters of Edward Darley Boit, in their family's Paris apartment. It was painted in 1882 and is now exhibited in the new Art of the Americas Wing of the Museum of Fine Arts in Boston.

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