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This category represents the film scores of American composer Bernard Herrmann (1911–1975). Pages in category "Films scored by Bernard Herrmann" The following 54 pages are in this category, out of 54 total.
Film scores. Television scores. Radio scores. Stage works. Concert works. See also. References. Further reading. External links. Bernard Herrmann (born Maximillian Herman; June 29, 1911 – December 24, 1975) was an American composer and conductor [1] best known for his work in composing for films.
- 2
- 1934–1975
- Bernard Maximillian Herrmann
- Beth David Cemetery
The Classic Film Scores of Bernard Herrmann – The Bernard Herrmann Society. George Kaplan. June 2011. Intro Forties Fifties Sixties Seventies. Originally written for the blog The Classic Film Scores of Bernard Herrmann, June 13 to 28, 2011. The author is known on Talking Herrmann as "aka Roger Thornhill".
- George Kaplan
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- Musicnotes
- Psycho’ This 1960 Hitchcock film is widely considered to be Bernard Herrmann’s most influential and impactful work. Whereas many mid-century movies featured jazz-inspired scores, Herrmann opted for traditional orchestral sounds, including quiet moments using odd rhythms to build tension and suspense.
- The Ghost and Mrs. Muir’ Of all of the Bernard Herrmann movies created, this score was reportedly his favorite. For this 1947 film, Herrmann created a moody and romantic score that included several leitmotifs, which are recurring themes in music.
- Vertigo’ 1958’s Vertigo stands as one of Alfred Hitchcock’s most significant films and that’s partially due to Bernard Herrmann’s score. In this film, a retired detective afflicted with vertigo is hired to guard a woman who seems to be possessed by a spirit.
- Citizen Kane’ This 1941 film marked the first time that Herrmann and director Orson Welles worked together on the big screen. In this movie, the titular character dies uttering the enigmatic final word “rosebud.”
May 1, 2024 · Bernard Herrmann (born June 29, 1911, New York, N.Y., U.S.—died Dec. 24, 1975, Los Angeles, Calif.) was an American composer and conductor, widely recognized for his film scores. His music for Psycho (1960) has remained a paragon of suspense-film sound tracks.
- The Editors of Encyclopaedia Britannica
1. Vertigo (1958) PG | 128 min | Mystery, Romance, Thriller. 8.3. Rate. 100 Metascore. A former San Francisco police detective juggles wrestling with his personal demons and becoming obsessed with the hauntingly beautiful woman he has been hired to trail, who may be deeply disturbed.
This week we celebrate 10 of the most memorable film music scores by legendary composer and frequent Hitchcock collaborator Bernard Herrmann, we have only included a small section from the...
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