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    • British Academy of Film & Television Arts Actor 1975 · Winner

    • British Academy of Film & Television Arts Screenplay 1975 · Winner

    • Golden Globe Best Motion Picture - Drama 1975 · Winner

    • British Academy of Film & Television Arts Direction 1975 · Winner

    • Golden Globe Best Director - Motion Picture 1975 · Winner

    • Golden Globe Best Performance By an Actor in a Motion Picture - Drama 1975 · Winner

    • Golden Globe Best Screenplay - Motion Picture 1975 · Nominated

    • Academy Award Writing (Original Screenplay) 1975 · Winner

    • Golden Globe Best Performance By an Actor in a Supporting Role in a Motion Picture 1975 · Nominated

    • Academy Award Sound 1975 · Nominated

    • Academy Award Film Editing 1975 · Nominated

    • Academy Award Art Direction 1975 · Nominated

    • Academy Award Cinematography 1975 · Nominated

    • British Academy of Film & Television Arts Actress 1975 · Nominated

    • British Academy of Film & Television Arts Art Direction 1975 · Nominated

    • British Academy of Film & Television Arts Film 1975 · Nominated

    • Academy Award Music (Original Dramatic Score) 1975 · Nominated

    • Academy Award Actor 1975 · Nominated

    • Academy Award Directing 1975 · Nominated

    • Golden Globe Best Original Score - Motion Picture 1975 · Nominated

    • Academy Award Best Picture 1975 · Nominated

    • British Academy of Film & Television Arts Anthony Asquith Memorial Award 1975 · Nominated

    • British Academy of Film & Television Arts Film Editing 1975 · Nominated

    • Academy Award Costume Design 1975 · Nominated

    • British Academy of Film & Television Arts Costume Design 1975 · Nominated

    • Golden Globe Best Performance By an Actress in a Motion Picture - Drama 1975 · Nominated

    • British Academy of Film & Television Arts Supporting Actor 1975 · Nominated

    • British Academy of Film & Television Arts Cinematography 1975 · Nominated

      • Chinatown was released in the United States on June 20, 1974, to acclaim from critics. At the 47th Academy Awards, it was nominated for 11 Oscars, with Towne winning Best Original Screenplay. The Golden Globe Awards honored it for Best Drama, Best Director, Best Actor, and Best Screenplay.
      en.wikipedia.org › wiki › Chinatown_(1974_film)
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  2. New York Film Critics Circle Awards. 1974 Winner NYFCC Award. Best Actor. Jack Nicholson. Shared with: The Last Detail. 1974 Nominee NYFCC Award. Best Screenplay. Robert Towne.

  3. At the 47th Academy Awards, it was nominated for 11 Oscars, with Towne winning Best Original Screenplay. The Golden Globe Awards honored it for Best Drama, Best Director, Best Actor, and Best Screenplay. The American Film Institute placed it second among its top ten mystery films in 2008.

  4. Jun 20, 1974 · Chinatown: Directed by Roman Polanski. With Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez. A private detective hired to expose an adulterer in 1930s Los Angeles finds himself caught up in a web of deceit, corruption, and murder.

    • (351K)
    • Drama, Mystery, Thriller
    • Roman Polanski
    • 1974-06-20
  5. Feb 5, 2014 · BEST PICTURE. Chinatown – Robert Evans. The Conversation – Francis Ford Coppola, Fred Roos. The Godfather Part II – Francis Ford Coppola, Gray Frederickson, Fred Roos. Lenny – Marvin Worth.

  6. Feb 6, 2000 · “Are you alone?” the private eye is asked in Roman Polanski’s “Chinatown.” “Isn’t everybody?” he replies. That loneliness is central to a lot of noir heroes, who plunder other people’s secrets while running from their own. The tone was set by Dashiel Hammett, and its greatest practitioner was Raymond Chandler.

  7. Aug 24, 2017 · Won: Art Carney, Harry and Tonto. Should've won: Al Pacino, The Godfather Part II. Ah, 1974, that gangbusters year at the Oscars when the colossal likes of Chinatown, The Conversation, Lenny and the triumphant The Godfather Part II (and, uh, The Towering Inferno) faced off for awards glory.

  8. Roman Polanski’s “Chinatown” is not only a great entertainment, but something more, something I would have thought almost impossible: It’s a 1940s private-eye movie that doesn't depend on nostalgia or camp for its effect, but works because of the enduring strength of the genre itself.

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