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for colored girls who have considered suicide / when the rainbow is enuf is a 1976 work by Ntozake Shange. It consists of a series of poetic monologues to be accompanied by dance movements and music, a form which Shange coined the word choreopoem to describe. [5] It tells the stories of seven women who have suffered oppression in a racist and ...
- Lynn F. Miller, Ntozake Shange
- 1975
Sep 1, 1997 · Ntozake Shange (1948–2018) was a renowned playwright, poet, theater director, and novelist. Her body of work includes Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf, Some Sing Some Cry with Ifa Bayeza, and the posthumous Dance We Do: A Poet Explores Black Dance and I Am an Old Woman.
- 1975
- Lynn F. Miller, Ntozake Shange
Jan 1, 1975 · For Colored Girls who Have Considered Suicide when the Rainbow is Enuf has been the most profound, interesting, mind- blowing books I have come across this year. This was my first time being introduced to a chore poem, which is simply a collection of poems that have been strategically put together into one novel.
- (34K)
- Paperback
About for colored girls who have considered suicide/when the rainbow is enuf on Broadway One hour and 35 minutes with no intermission. Recommended for ages 13 and up.
Apr 20, 2022 · Broadway review by Melissa Rose Bernardo. After for colored girls who have considered suicide/when the rainbow is enuf received a beautiful (if bursting-at-the-seams) 2019 revival at the Public ...
Nov 2, 2010 · Ntozake Shange (1948–2018) was a renowned playwright, poet, theater director, and novelist. Her body of work includes Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf, Some Sing Some Cry with Ifa Bayeza, and the posthumous Dance We Do: A Poet Explores Black Dance and I Am an Old Woman.
- Ntozake Shange
Ntozake Shange’s for colored girls who have considered suicide/ when the rainbow is enuf is the “landmark of American theater” ( The New York Times) that blazed a trail for generations to come. Now, this celebration of the power of Black womanhood returns to Broadway for the first time, reinvented, directed, and choreographed by “a true ...
