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  1. Pat Garrett and Billy the Kid

    Pat Garrett and Billy the Kid

    R1973 · Western · 1h 46m

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  1. May 23, 1973 · Pat Garrett & Billy the Kid: Directed by Sam Peckinpah. With James Coburn, Kris Kristofferson, Richard Jaeckel, Katy Jurado. Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.

    • (21K)
    • Biography, Drama, Western
    • Sam Peckinpah
    • 1973-05-23
  2. Pat Garrett and Billy the Kid is a 1973 American revisionist Western film directed by Sam Peckinpah, written by Rudy Wurlitzer, and starring James Coburn, Kris Kristofferson, Richard Jaeckel, Katy Jurado, Chill Wills, Barry Sullivan, Jason Robards, Slim Pickens and Bob Dylan.

  3. Pat Garrett & Billy the Kid is the twelfth studio album and first soundtrack album by American singer-songwriter Bob Dylan, released on July 13, 1973, by Columbia Records for the Sam Peckinpah film of the same name. Dylan himself appeared in the film as the character "Alias".

    • Country Rock Folk Rock Film Score
  4. Bob Dylan plays a character named Alias, and should have used one. His screen presence makes him look as if he's the victim of a practical jokes involving itching powder. James Coburn is cool and reliable, as always, as Pat Garrett, and there's a rogues' gallery of character actors and a nice cameo by Katy Jurado.

  5. Apr 20, 2024 · The film stars Kris Kristofferson, James Coburn, Jason Robards, and Bob Dylan, who created the gorgeous score for the film (including the song "Knockin' on Heaven's Door"). Here is everything...

  6. Dec 16, 2023 · A THOUSAND HIGHWAYS. Chris Gregory riffs on Bob Dylan's role in thevmovie PAT GARRETT AND BILLY THE KID. He examines his soundtrack for the film, which includes KNOCKIN' ON HEAVEN'S DOOR.

  7. Jul 13, 2023 · Bob Dylan has had significant roles in only three narrative features: Hearts of Fire, Masked and Anonymous and Pat Garrett & Billy the Kid (Renaldo and Clara is something else altogether). Only one of these films was directed by Sam Peckinpah, so it should come as little surprise that it’s a highlight of Dylan’s acting career.

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