Ralph Fiennes
Maurice Bendrix
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- The intricate details inherent in the subject matter are so stunningly woven into the fabric of the film that only the slow pace stops it from becoming a marvelous romantic classic. The production and costume designs are exquisite. The cinematography is breathtaking and the editing, while unevenly paced at times is still on target.
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67% Tomatometer 66 Reviews 74% Audience Score 5,000+ Ratings In the years following World War II, writer Maurice Bendrix (Ralph Fiennes) has an unexpected run-in with Henry Miles (Stephen Rea)...
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a demanding, thought-provoking film ...built around a theme...
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In the years following World War II, writer Maurice Bendrix...
- Movie Reviews
Nov 19, 1999 · Reviewed at a TriStar screening room, L.A., Nov. 11, 1999. MPAA Rating: R. Running time: 109 MIN. With: Maurice Bendrix - Ralph Fiennes Sarah Miles - Julianne Moore Henry Miles - Stephen Rea Mr...
`The End of the Affair' takes its place alongside `Brief Encounter' and `Two For the Road' as one of the very best studies of a romantic relationship ever put on film. 96 out of 106 found this helpful.
The film holds a 67% rating on Rotten Tomatoes based on reviews from 66 critics. The site's consensus states: "Neil Jordan has good direction with solid performances from Ralph Fiennes and Julianne Moore."
Graham Greene's novel is an intense literary work, wracked with religious guilt. Jordan has filleted the Catholicism, although there is a handsome priest masquerading as a rival lover. Stephen Rea's performance, as the cuckolded husband, is so low-key he almost dissolves into the wallpaper.
a demanding, thought-provoking film ...built around a theme many will find difficult to accept, that miracles can happen to perfectly ordinary, non-religious people. Full Review | Jun 23, 2002
The End of the Affair. 65. Metascore. 32 reviews · Provided by Metacritic.com. 91. Portland Oregonian Shawn Levy. A gripping account of grown-up sensuality, obsession, loss and hope. 90. Variety Emanuel Levy. A faithful adaptation that captures the haunting spirit and religious nature of the 1951 novel. 88. Christian Science Monitor David Sterritt.
