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In a Harper's Bazaar article after her death, the writer Carl Van Vechten stated that Stettheimer "was both the historian and the critic of her period and she goes a long way toward telling us how some of New York lived in those strange years after the First World War, telling us in brilliant colors and assured designs, telling us in painting ...
Feb 21, 2022 · There could be, as Van Vechten recognized, an element of malice in Stettheimer’s stylized portraits. In her portrait of her sister Ettie, the attendant icon is a highly decorated Christmas...
May 8, 2017 · She made Van Vechten, who was gay but married twice, appear both epicene and heroic in a painting of him in his apartment, amid symbols of his myriad vocations.
- Peter Schjeldahl
Jul 17, 2017 · Carl Van Vechten. Stettheimer’s friendship with writer, photographer, and socialite Carl Van Vechten was one of her closest bonds. They became friends in 1915. Van Vechten was a central social figure in high-level artistic circles and a proponent of the Harlem Renaissance. His photographs were often keenly observed portraits of friends.
There, the gatherings hosted by the family attracted artists, writers, composers, and performers as varied as Marcel Duchamp, Alfred Stieglitz, and Carl Van Vechten. Over the years, Stettheimer painted a portrait of each of these friends, a format she also used for family.
Stettheimer accompanied Van Vechten to many of the Black neighborhoods he worked in, including the segregated beaches and clubs of Asbury Park. Her choice to paint this scene was both a means to show the virtue, class, and dignity of the Black community, as well as to express solidarity in the fight for desegregation.
Nov 6, 2023 · Florine Stettheimer, Carl van Vechten (1880-1964), 1922, Yale University Art Gallery, New Haven, CT, USA. On the surface, Stettheimer’s paintings of birthday parties, days at the beach, and beauty contests gently parody the charades, habits, and preoccupations of her time and place.
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