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  1. Aug 9, 2022 · He Dreams of Giants: Directed by Keith Fulton, Louis Pepe. With Adam Driver, Terry Gilliam, Jonathan Pryce. The culmination of a trilogy of documentaries that have followed film director Terry Gilliam over a 25 year period.

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  2. He Dreams of Giants. He Dreams of Giants is a 2019 follow-up documentary film to 2002's Lost in La Mancha. The film follows director Terry Gilliam 's making of The Man Who Killed Don Quixote, a long-gestating project that had suffered multiple delays and cast changes, which was finally released in 2018. [3] [4]

    • Keith Fulton, Louis Pepe
    • Keith Fulton, Louis Pepe
  3. He Dreams of Giants. 15 years after documenting Terry Gilliams first attempt at creating 'The Man Who Killed Don Quixote', filmmakers Keith Fulton and Louis Pepe return to capture Gilliam's obsession in this poignant documentary, as his dream becomes a success. 11 IMDb 7.0 1 h 23 min 2022. 16+. Documentary. Freevee (with ads)

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  5. From the team behind Lost in La Mancha, HE DREAMS OF GIANTS is the culmination of a trilogy of documentaries that have followed film director Terry Gilliam over a twenty-five-year period. Charting ...

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    • Documentary
    • Keith Fulton, Louis Pepe
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  6. He Dreams of Giants is 2955 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 1092 places since yesterday. In the United States, it is currently more popular than Sweeney Todd: The Demon Barber of Fleet Street but less popular than Bubba Ho-tep.

    • (39)
    • Himself; Himself; Himself
    • R
    • 2021
  7. HE DREAMS OF GIANTS. Portraits. 83 min. WORLD PREMIERE For 30 years, Terry Gilliam struggled to make a screen adaptation of Don Quixote, including an abandoned attempt chronicled in Keith Fulton and Louis Pepe’s 2002 documentary Lost in La Mancha. Gilliam never gave up and neither did the documentarians.

  8. From the team behind Lost in La Mancha and The Hamster Factor, HE DREAMS OF GIANTS is the culmination of a trilogy of documentaries that have followed film director Terry Gilliam over a twenty-five-year period. Charting Gilliam’s final, beleaguered quest to adapt Don Quixote, this documentary is a potent study of creative obsession.

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