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  1. Henri-Georges Clouzot was a French film director, writer and producer. He contributed to many projects as either the writer, director, producer, or a combination of the three. His first feature film was Tout pour l'amour (1933) and as a sole director the first was the 1942 mystery The Murderer Lives at Number 21 (French: L'Assassin Habite au 21 ...

  2. He shot to international fame with The Wages of Fear (1953) and consolidated that success with Diabolique (1955), but continuous ill health caused large gaps in his output, and several projects had to be abandoned (though one, Hell (1994), was subsequently filmed by Claude Chabrol ).

    • January 1, 1
    • Niort, Deux-Sèvres, France
    • January 1, 1
    • Paris, France
  3. Henri-Georges Clouzot (French: [ɑ̃ʁi ʒɔʁʒ kluzo]; 20 November 1907 – 12 January 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear (1953) and Les Diaboliques (1955), which are critically recognized as among the greatest films of ...

  4. A pivotal and divisive figure of Forties and Fifties French cinema, Henri-Georges Clouzot (1907 - 1977) made his name as a daring iconoclast through a series of hugely influential, often controversial, films whose stylistic audacity, off-beat humor and ...

  5. Biography. Henri-Georges Clouzot (August 18, 1907 – January 12, 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear and Les Diaboliques, which are critically recognized to be among the greatest films from the 1950s.

  6. Jan 25, 2024 · From The Spies to Woman in Chains, here are the best movies directed by the iconic Henri-Georges Clouzot.

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  8. Oct 18, 2017 · Henri-Georges Clouzot’s movies provide some of the most thrilling yet paranoid portrayals of France in cinema. Filled with treachery, voyeurism and unease at the unknown, his cinematic world forces its characters to confront the darker reality behind closed doors – much as Alfred Hitchcock was doing in Hollywood during the same years.