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A World of Difference: Directed by Ted Post. With Howard Duff, David White, Frank Maxwell, Eileen Ryan. A businessman sitting in his office inexplicably finds that he is on a production set and in a world where he is a movie star. Uninterested in the newfound fame, he fights to get back to his home and family.
- (3.6K)
- Drama, Fantasy, Horror
- Ted Post
- 1960-03-11
" A World of Difference " is the twenty-third episode of the American television anthology series The Twilight Zone . Opening narration. You're looking at a tableau of reality, things of substance, of physical material: a desk, a window, a light. These things exist and have dimension. Now this is Arthur Curtis, age thirty-six, who also is real.
Duff also featured in episodes of numerous TV series during the 1960s including The Twilight Zone, Burke's Law, Combat! (episode “Missing in Action”), The Eleventh Hour, Mr. Novak and Batman (episode "The Entrancing Dr. Cassandra", alongside wife Ida Lupino).
Episode information. Series: The Twilight Zone (original series) Airdate: March 4, 1960. Teleplay: Richard Matheson. Story: Richard Matheson. Director: Ted Post. Music: Nathan Van Cleave. Guest Stars: Howard Duff, Eileen Ryan. Lead Character: Gerald Raigan. Episode guide. Previous. The Monsters Are Due on Maple Street. Next.
" Perchance to Dream " is the ninth episode of the American television anthology series The Twilight Zone. It originally aired on November 27, 1959, on CBS. The title of the episode and the Charles Beaumont short story that inspired it is taken from Hamlet's "To be, or not to be" speech. [1] Opening narration. Twelve o'clock noon.
Sep 17, 2016 · The twenty-third episode of the first season stars Howard Duff as Arthur/Gerald. It is widely considered to be one of the most memorable Twilight Zone episodes, as it chooses to focus on inward struggles as opposed to science fiction themes.
Acting, directing, cinematography and music combine to make "A World of Difference" one of The Twilight Zone's most compelling episodes. Howard Duff, with his perpetually haunted look, renders the numbed bewilderment of Arthur/Gerry palpable in every frame.
