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  1. Explore the life and works of James McNeill Whistler, an American artist who influenced the art world with his aesthetic theories and his famous painting Whistler's Mother. Find his paintings by style, genre, media, and more at Wikiart.org.

  2. James Abbott McNeill Whistler RBA ( / ˈwɪslər /; July 10, 1834 – July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake".

  3. Learn about the life and work of James McNeill Whistler, an American artist who influenced by Japanese art and created tonalist paintings. See his biography, works, and activities related to his art.

    • July 11, 1834
    • July 17, 1903
  4. James Abbott Whistler was born in in 1834 in Lowell, Massachusetts, the third son of West Point graduate and civil engineer Major George Washington Whistler, and his second wife Anna Matilda McNeill. After brief stays in Stonington, Connecticut, and Springfield, Massachusetts, the Whistlers moved to St. Petersburg, Russia, where the Major ...

  5. One of the most significant figures in modern art and a forerunner of the Post-Impressionist movement, James Abbott McNeill Whistler is celebrated for his innovative painting style and eccentric personality.

    • American-British
    • July 11, 1834
    • Lowell, Massachusetts
    • July 17, 1903
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  7. Learn about the life and career of James McNeill Whistler, a leading American painter of the late nineteenth century who participated in the artistic ferment of Paris and London. Explore his distinctive style, influenced by diverse sources, and his innovative portraits, landscapes, and nocturnes.

  8. Biography. James Abbott McNeill Whistler (; July 10, 1834 – July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake".

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