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Aug 24, 2001 · Studies in Tectonic Culture The Poetics of Construction in Nineteenth and Twentieth Century Architecture ... by Kenneth Frampton. Edited by John Cava. Paperback. $49. ...
Apr 5, 2019 · Studies in tectonic culture : the poetics of construction in nineteenth and twentieth century architecture by Frampton, Kenneth. Publication date 1995 Topics
Oct 1, 2001 · Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton—the ...
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- Kenneth Frampton, Robert Harbison, Ralf Weber
- $49.95
- The MIT Press
Aug 24, 2001 · Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton—the ...
Library of Congress Cataloging-in-Publication Data Frampton, Kenneth. Studies in tectonic culture: the poetics of construction in nineteenth and twentieth century architecture / Kenneth Frampton; edited by John Cava. p. em. "Graham Foundation for Advanced Studies in the Fine Arts, Chicago, Illinois." Includes bibliographical references and index.
- Juhani Pallasmaa
- 1996
Nov 3, 1995 · Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton the focus on architecture as a constructional craft constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative.
- Kenneth Frampton, Graham Foundation for Advanced Studies in the Fine Arts
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About Studies in Tectonic Culture. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book’s analytical framework rests on Frampton’s close readings of key French and German, and English sources from the eighteenth century to the present.
