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Musique concrète instrumentale. AKA: Post-Lachenmann Instrumental Concrete Music • 139 releases. Acoustic, through-composed Classical Music that relies heavily on unconventional instrumental techniques. Read more. ADVERTISEMENT. Top-ranked albums. See full chart. #1. Grido; Reigen seliger Geister; Gran Torso. Helmut Lachenmann / Arditti Quartet.
Musique concrète (French: [myzik kɔ̃kʁɛt]; lit. ' concrete music ') is a type of music composition that utilizes recorded sounds as raw material. Sounds are often modified through the application of audio signal processing and tape music techniques, and may be assembled into a form of sound collage.
Lachenmann has referred to his compositions as musique concrète instrumentale, implying a musical language that embraces the entire sound-world made accessible through unconventional playing techniques. According to the composer, this is music.
Musique Concrète Instrumentale. A conversation and concert with Helmut Lachenmann about the composition, musical languages, and unconventional playing techniques. Values. 3/6 Dialogue. 4/6 Exception. 3/6 Publics. 4/6 Process. Image: Helmut Lachenmann. Fields of Knowledge. Performance. Organizing Institutions. Slought, Sound Field NFP. Organizers.
The Italian futurists, active roughly from 1900 through the mid-twenties, were the first to develop an aesthetic of noise and data flows appropriate for twentieth-century media technics. The futurist poet Filippo Tommaso Marinetti makes a brief appearance in Kittler's "Gramophone." As the author of a Technical Manifesto of Futurist Literature ...
May 21, 2024 · The greatest Musique concrète instrumentale albums of all time, as voted by RYM/Sonemic users.
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First, it introduces Lachenmann's musique concrète instrumentale and classifies the various sonorities into three types: descriptive, contrasting, and extended. Second, it analyzes and discusses technical elements in the cycle, including notational considerations, pedaling, and sound effects.
