Van Helsing
2016
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- LaBute’s plays include: BASH: LATTER-DAY PLAYS, THE SHAPE OF THINGS, THE MERCY SEAT, THE DISTANCE FROM HERE, AUTOBAHN (a collection of five of his one- act plays), FAT PIG, SOME GIRLS, THIS IS HOW IT GOES, IN A DARK DARK HOUSE, and REASONS TO BE PRETTY, which was nominated for a Tony Award for Best Play.
Neil N. LaBute (born March 19, 1963) [1] is an American playwright, film director, and screenwriter. He is best known for a play that he wrote and later adapted for film, In the Company of Men (1997), which won awards from the Sundance Film Festival , the Independent Spirit Awards , and the New York Film Critics Circle .
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Category: American plays by writer.
Plays include bash: reasons to be pretty, latter-day plays, The Shape of Things, The Distance From Here, The Mercy Seat, Autobahn, This Is How It Goes, Some Girl (s), Wrecks, In a Dark Dark...
- Neil LaBute has written 17 shows including The Shape of Things (Playwright), The Mercy Seat (Playwright), The Distance From Here (Playwright), Esca...
- Neil LaBute has been nominated for several awards throughout his career. Some of these nominations include Playwrights' Sidewalk Inductee at The Lo...
- Neil LaBute has won several awards for his work as a playwright. He was inducted into the Playwrights' Sidewalk by The Lortels, and his play "The S...
Neil LaBute. Writer: In the Company of Men. Acclaimed and highly discussed filmmaker Neil LaBute has made himself a force to be reckoned with and a name to watch.
- January 1, 1
- 1.83 m
- Detroit, Michigan, USA
Oct 29, 2019 · Neil LaBute’s set the stage for his playwriting style with his play Dirty Talk for Troubled Times, produced off-off-Broadway in 1989— a play about two men sitting at a bar, being sexist, racist, and homophobic.
Bash: Latter-Day Plays: Directed by Neil LaBute. With Ron Eldard, Calista Flockhart, Paul Rudd. Three dark, one-act plays exploring of the complexities of evil in everyday life.
Neil LaBute is no stranger to the darker side of human nature. In The Shape of Things, that darkness is undeniably there, but it’s simmering just underneath the surface until it boils over in a gut-punch ending. The four-character play explores how far someone is willing to go and how much they change for who (or what) they love.
