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  1. Reverbs no hollowness. KING LEAR Kent, on thy life, no more. KENT My life I never held but as a pawn To wage against thy enemies; nor fear to lose it, Thy safety being the motive. KING LEAR Out of my sight! KENT See better, Lear; and let me still remain The true blank of thine eye. KING LEAR Now, by Apollo,-- KENT Now, by Apollo, king,

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  2. Edgar. O, matter and impertinency mix'd! Reason, in madness! 2780. Lear. If thou wilt weep my fortunes, take my eyes. I know thee well enough; thy name is Gloucester. Thou must be patient. We came crying hither; Thou know'st, the first time that we smell the air.

  3. Apr 21, 2016 · Scene 1. Enter, with Drum and Colors, Edmund, Regan,Gentlemen, and Soldiers.EDMUND. Shakespeare's King Lear challenges us with the magnitude, intensity, and sheer duration of the pain that it represents. Its figures harden their hearts, engage in violence, or try to alleviate the suffering of others. Lear himself rages until his sanity cracks.

  4. May 30, 2018 · This No Fear Shakespeare ebook gives you the complete text of King Lear and an easy-to-understand translation. Each No Fear Shakespeare contains. The complete text of the original play. A line-by-line translation that puts Shakespeare into everyday language. A complete list of characters with descriptions.

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    • King Lear (No Fear Shakespeare)
  5. The king is coming. The king is coming. A man bearing a crown enters, followed by KING LEAR , the Dukes of CORNWALL and ALBANY , then GONERIL , REGAN , CORDELIA , and attendants. Attend the lords of France and Burgundy, Gloucester. Go escort the lords of France and Burgundy, Gloucester. I shall, my lord. Yes, my lord.

  6. Get even more from the Folger You c a n ge t your ow n c opy of t hi s t e xt t o ke e p. P ur c ha s e a f ul l c opy t o ge t t he t e xt , pl us e xpl a na t or y not e s , i l l us t r a t i ons , a nd m or e .

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  8. www.genesius.org › shakespeare › textKING LEAR - Genesius

    KING LEAR. by William Shakespeare. “King Lear” is a shattering play. Readers, audiences, actors - even scholars - so recoiled from the tragic story that for several generations it was only presented in a heavily doctored version. After several productions in the early 17th Century, the original gave way to a heavily doctored version by ...

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