Search results
Our award winning photo lab has 40+ yrs of quality film developing & scanning. Professional photo lab for 35mm, 120, 110… from only $12. C-41, E-6 & B&W.
- Developing Old Film
Whether it’s new or old roll film, standard 35mm film or...
- 35Mm
The Darkroom film lab has been providing High Quality 35mm...
- Negatives / Slides
Scans, prints, and enlargements from your negatives.We...
- 120/220/620
The Darkroom photo lab specializes in all types of 120, 220,...
- Single Use Camera
The Darkroom’s review of the disposable cameras. You will...
- 110/126/Advantix
The Darkroom specializes in all types of 110, 126, and...
- Sheet Film
The Darkroom can develop large-format photographic film...
- Bamboo Block Prints
All bamboo blocks are printed with matte surface...
- Canvas Prints
Put Any Image on Canvas! Turn any photo into an amazing work...
- HD Aluminum Art
Preserve Your Tapes and Film Today! VHS, S-VHS, VHS-C, Hi-8,...
- Portra 400 Film Reviews & Photos - The Darkroom Photo Lab
- Proimage 100 Film Reviews & Photos - The Darkroom Photo Lab
- Delta 400 Film Reviews & Photos - The Darkroom Photo Lab
- TRI-X 400 Film Reviews & Photos - The Darkroom Photo Lab
- LomoChrome Turquoise Film Reviews & Photos - The Darkroom Photo Lab
- Ektar Film Reviews & Photos - The Darkroom Photo Lab
- Portra 160 Film Reviews & Photos - The Darkroom Photo Lab
- Developing Old Film
Flash forward over 40 years and The Darkroom is still the best-qualified film processing photo lab for your 120, 220, 35mm, 4×5, 110 & 126 film formats.
Mar 15, 2024 · We love meeting up with the film photography community and always leave these events so energized and eager for the next meetup where we’re already planning! For this meetup as well as future meetups, we want to find ways to engage every who cannot make it which is why we did camera giveaway as well as a YouTUbe live with ...
Jul 19, 2019 · Are you new to film photography and want to find out more about printing your negatives? Well, here's a beginners guide to the darkroom.
- Selecting The Right Film
- Getting Films Processed
- Developing Your Own Film
- Using Chemicals
- Avoiding Contamination
- Choosing The Right Paper
- Choosing An Enlarger
- Variable Contrast Papers
- Where to Go For Advice
- Setting Up A Minimalist Darkroom
Ilford, Kodak, Fujifilm and countless smaller, independent brands still make film. The beauty of analogue photography is that each one has its own look and characteristics, which makes the choice often one of taste. Consider factors such as exposure latitude (how forgiving of under or over exposure your film is), and versatility of processing. Cons...
There are many colour film processing and developing services on the high street, and most offer an additional scanning service. Black & white film requires a more specialist processing service but there are plenty of options available including the Ilford Lab (www.ilfordlab.com). Emulsive has a growing list of labs recorded on an interactive map, ...
Developing and processing your own film is easy once you get the hang of it. The equipment required is minimal and includes a small spiral tank, chemicals and something to open the canister with. A changing bag comes in handy for loading spirals in darkness, but it’s not essential. If you have a room you can throw into total darkness that’s great, ...
Photo chemistry covers everything from paper and film developers to fixers and toners. Developers are usually specific to films or papers, but stop bath and fixers are often universal, so check manufacturer’s websites for recommendations. If you’re starting out, opt for a liquid concentrate developer, stop bath and fixer. These are easier to mix th...
One of the biggest mistakes people make is contaminating the processing solutions. Getting fixer or stop bath in your developer will ruin it and cause staining on your prints. If you are using tongs don’t put them in the next tray – always release the print and put the tongs back in the original tray.
There are two main types of photo paper, Resin-Coated (RC) and Fibre-based (FB). RC is the best for beginners and while FB offers the ultimate in image quality, it’s harder to handle. Papers come in a variety of surfaces and tones including glossy, pearl, lustre, matt and semi-matt, as well as cool, warm and neutral tones. To begin with use RC pape...
Look for an enlarger that accommodates 35mm and 120 negatives with 50mm and 80mm lenses, and make sure it comes with a power supply and timer unit. Check the movement on the column is smooth, and the focus mechanism works properly. Buy a good-quality easel and a focus finder.
Variable contrast papers are more versatile than fixed contrast papers, but unless you have a variable contrast printing head you’ll need a set of variable contrast filters too. Alternatively a colour enlarger head can be used by adjusting the yellow and magenta filtration. Dedicated filters such as Ilford Multigrade filters will give the widest co...
Online resources for film lovers include Emulsive (emulsive.org), I Still Shoot Film (istillshootfilm.org) and APUG (apug.org). Matt Parry is an award-winning travel photographer and regular contributor to magazines. He recently joined Harman Technology (Ilford Photo) as their marketing manager. Neil Hibbs has been working in the analogue photo ind...
Before I set up a tiny developing station in my bathroom, I didn’t feel I could experiment with different kinds of film or push-processing. Failure was too expensive, and it was getting embarrassing trying to explain what I was hoping to achieve to my local film lab. With a desire to cut down on the cost and waste of using film, and excited to get ...
Feb 27, 2019 · Though it can be difficult to locate darkrooms to use, the process of developing film can be easily mastered in any dark space. Below, we explain how to develop film and how its technology can be used to capture fascinating images. The Origins of Photography
Advance your photography practice, deepen your personal research, and even boost your confidence... The Darkroom Rumour offers a unique space, welcoming all forms of photography, without bias to style or genre.
