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  2. en.wikipedia.org › wiki › The_VerdictThe Verdict - Wikipedia

    The Verdict is a 1982 American legal drama film directed by Sidney Lumet and written by David Mamet, adapted from Barry Reed's 1980 novel of the same name. The film stars Paul Newman as a down-on-his-luck alcoholic lawyer who accepts a medical malpractice case to improve his own situation, but discovers along the way that he is doing the right ...

  3. Newman plays Frank Galvin, a Boston lawyer who has had his problems over the years - a lost job, a messy divorce, a disbarment hearing, all of them traceable in one way or another to his alcoholism. He has a "drinking problem," as an attorney for the archdiocese delicately phrases it.

  4. Synopsis. Frank Galvin (Newman) is a down-on-his luck lawyer, reduced to drinking and ambulance chasing. Former associate Mickey Morrissey (Jack Warden) reminds him of his obligations in a medical malpractice suit that he himself served to Galvin on a silver platter: all parties willing to settle out of court.

  5. Dec 17, 1982 · The Verdict: Directed by Sidney Lumet. With Paul Newman, Charlotte Rampling, Jack Warden, James Mason. An outcast, alcoholic Boston lawyer sees the chance to salvage his career and self-respect by taking a medical malpractice case to trial rather than settling.

    • (46K)
    • Drama
    • Sidney Lumet
    • 1982-12-17
  6. Aug 15, 2023 · The Verdict” includes one of the most remarkable character arcs in the movies. Attorney Frank Galvin ( Paul Newman ) goes from living in an initial state of hell to hitting an even lower, almost unbearable rock bottom.

  7. The plot of the movie was dramatic, tense, and tragic. It's about working on a case to turn a wrongdoing into a victory for the victims. If you haven't seen this movie yet, check it out...

    • (40)
    • Drama
    • R
  8. May 13, 2019 · The Verdict” (1982) is most known for the engrossing turn by Paul Newman as a down-and-out lawyer who gets obsessed with one case, but it’s also the pinnacle of the courtroom drama form under the eye of legendary director Sidney Lumet (“12 Angry Men”) and an early example of David Mamet’s chug-along writing.

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