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Textile production. Stepanova carried out her ideal of engaging with industrial production in the following year when she, with Lyubov Popova, became designer of textiles at the Tsindel (the First State Textile Factory) near Moscow, and in 1924 became professor of textile design at the Vkhutemas (Higher Technical Artistic Studios). As a ...
Varvara Fyodorovna Stepanova (Russian: Варва́ра Фёдоровна Степа́нова; 4 November [O.S. 23 October] 1894 – May 20, 1958) was a Russian artist. With her husband Alexander Rodchenko, she was associated with the Constructivist branch of the Russian avant-garde, which rejected aesthetic values in favour of revolutionary ...
Feb 23, 2021 · Textile Design, Varvara Stepanova, 1924. Stepanova favoured bold simplicity, often combining black and white with one other bright, eye-catching colour, brought alive through playful arrangements of jazzy intersecting lines and geometric shapes.
Jul 27, 2014 · Stepanova’s design was characterised by a fundamental honesty; her textile prints drew attention to the material quality of fabric, including the weave of thread and the shape of the material in...
In the years following the revolution, Stepanova involved herself in poetry, philosophy, painting, graphic art, stage scenery construction, and textile and clothing designs. She contributed work to the Fifth State Exhibition and the Tenth State Exhibition, both in 1919.
- Russian
- May 20, 1958
- Kaunas, Lithuania
Oct 26, 2017 · Stepanova’s designs use dynamic shapes that emphasise the human body in action, with sharp angular forms, printed abstract patterns and contrasting colours: bold reds and blacks.
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As a designer she created everything from posters and books to sets and costumes for local theaters. She became so involved with the world of theater design that she even designed textiles for use in the manufacturing of the costumes for the productions she helped design.
