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Vilmos Zsigmond ASC (Hungarian: [ˈvilmoʃ ˈʒiɡmond]; June 16, 1930 – January 1, 2016) was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement.
Jan 5, 2016 · His survivors include his wife, the former Susan Roether, and a daughter. In a 2009 interview in The New York Times, Mr. Zsigmond spoke about the aesthetic he shared with Mr. Kovacs.
Jan 11, 2016 · I felt tremendously sad, but also extremely lucky to have had the opportunity to spend time with such a great artist and technician. One memory came to me immediately. After we finished working on The Rose, Vilmos asked me to help him get a cab to go meet his wife in Tribeca. I thanked him again, shook his hand, and said goodbye.
Jan 4, 2016 · He is survived by his second wife, the writer and director Susan Roether, and by his daughters, Julia and Susi, from his marriage to Elizabeth Fuzes, which ended in divorce.
- 3 min
- Ronald Bergan
Jan 6, 2016 · Zsigmond and the younger Kovács missed all that, however, having been deemed persona non grata at home after giving their raw footage to CBS News on arrival in New York. As Vilmos told Bourdain...
Mar 7, 2016 · It would have been a great loss for (his wife) Susan, not to meet the love of her life. And it would have been a great loss of all of his students.”
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Vilmos Zsigmond. Along with László Kovács, a fellow student who fled Hungary in 1956, Zsigmond rose to prominence in the 1970s. He is known for his use of natural light and vivid use of color on features such as The Long Goodbye (1973) and Close Encounters of the Third Kind (1977).
