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Annette Arm
- Annette Arm (1923-1993) met Giacometti in Geneva in 1943 and became his wife in 1949. From 1946, when she joined Giacometti in Paris to live with him in rue Hippolyte-Maindron, until the end of the artist’s life, Annette was one of Alberto’s favourite models.
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Annette. Annette Arm (1923-1993) met Giacometti in Geneva in 1942 and became his wife in 1949. From 1946, she joined Giacometti in Paris to live with him in rue Hippolyte-Maindron and stayed there until the end of the artist's life. Annette became one of Alberto's favourite models.
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Apr 4, 2024 · In 1942, he met Annette Arm who later became his wife. She was his regular model along with Diego. Many excellent paintings and sculptures were of them both.
- Dian Parker
Also abundantly represented in Giacometti’s sculptures and paintings is his wife, Annette Giacometti (1923-1993), whom Alberto met in Geneva in 1943 and wed in 1949. Late in his career, he created a startling series of ten busts of Annette, one of which, Annette IV, graces the cover of Herbert Matter’s book.
AGD 913. Annette from Life. Date 1954. Medium Bronze. Dimensions 21,14 x 5,59 x 8,03 in. Edition number 00/6. Foundry Susse Fondeur. Cast 1980. Collection Private collection. Description. In 1954, Giacometti delivered several painted and sculpted portraits of his wife, very precisely depicted and unusually realistic, this being one of them.
Annette Arm (1923-1993) met Giacometti in Geneva in 1943 and became his wife in 1949. From 1946, when she joined Giacometti in Paris to live with him in rue Hippolyte-Maindron, until the end of the artist’s life, Annette was one of Alberto’s favourite models.
Tate. © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris), licensed in the UK by ACS and DACS, London 2024. Giacometti preferred to use models who he knew personally, including his brother Diego, the artist Isabel Rawsthorne, his wife Annette, and his lover Caroline.
Nov 2, 2016 · Giacometti, relentlessly seeking to capture his internal vision of his wife in bronze, created a series of eight busts of her. Again, as happened with Diego, Giacometti explains how ‘after three days of working she doesn’t resemble herself any more.’
