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Antikiteti klasik (i njohur gjithashtu edhe si epoka klasike ose periudha klasike) është periudha e historisë kulturore midis shekullit VIII p.e.s. dhe shekullit VI p.e.s. me qendër në Detin Mesdhe, dhe që përfshin civilizimet ndërlidhëse të Greqisë antike, Romës antike dhe Ilirisë.
Classical antiquity, also known as the classical era, classical period, classical age, or simply antiquity, is the period of cultural European history between the 8th century BC and the 5th century AD comprising the interwoven civilizations of ancient Greece and ancient Rome known together as the Greco-Roman world, centered on the Mediterranean ...
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George Frideric (or Frederick) Handel ( / ˈhændəl /; [a] baptised Georg Fried (e)rich Händel, [b] German: [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] ⓘ; 23 February 1685 – 14 April 1759) [3] [c] was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his ...
- 14 April 1759 (aged 74), London, England
- University of Halle
Fillim. Etimologjia. Historia. Nën disiplinat. Greqia klasike. Roma klasike. Trashëgimia e botës klasike. Shiko gjithashtu. Referencat. Lexim të mëtejshëm. Lidhje të jashtme. Letërsia e vjetër greke e romake. Kompozitori legjendar grek i "Iliada" dhe "Odyseja" "Ciceroni" i konsideruar si mjeshtri i prozës latine.
Classical antiquity (also the classical era or classical period) is a broad term for a long period of cultural history around the Mediterranean. It includes the civilizations of Ancient Greece and Ancient Rome, known as the Greco-Roman world.
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" can also be applied to non-Western art musics. Classical music is often characterized by formality and ...
Classical period. The Classical era in music is compositionally defined by the balanced eclecticism of the late 18th- and early 19th-century Viennese “school” of Haydn, Mozart, Beethoven, and Schubert, who completely absorbed and individually fused or transformed the vast array of 18th-century textures and formal types.
