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Ivan Vasilievich Changes His Profession ( Russian: Иван Васильевич меняет профессию, romanized : Ivan Vasilyevich menyaet professiyu) is a Soviet comic science fiction film directed by Leonid Gaidai in June 1973. In the United States, the film has sometimes been sold under the title Ivan Vasilievich: Back to the ...
An adaptation of a posthumously published Mikhail Bulgakov play, 1973’s IVAN VASILIEVICH CHANGES HIS PROFESSION (Ivan Vasilevich menyaet professiyu) was helmed by Leonid Gaiday, Russia’s top comedy director. As is often the case, the film was an enormous success in its native land but is quite obscure in the western world (where it’s ...
Constantin Vassilievich; Konstantin of Suzdal; Konstantin Vasilyevich of Suzdal; edit. Language Label Description Also known as; English: Konstantin Vasilyevich. No ...
A sci-fi film by way of Monty Python — a description which I confess is a massive oversimplification — Ivan Vasilyevich Changes His Profession tells the story of Ivan Vasilievich Bunsha, an officious apartment building superintendent who, whoopsies, gets sent back in time and ends up pretending to be Ivan the Terrible. The tsar, meanwhile ...
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- Leonid Gaidai
Film /. Ivan Vasilievich Changes Profession. A Soviet Time Travel comedy movie released in 1973, and still immensely popular in The New Russia — like most Leonid Gaidai movies from that era. Based on a 1935 play by Mikhail Bulgakov, with a setting update — moving the "present day" action from the 1930s to the 1970s — but generally staying ...
Nov 21, 2023 · At 6:30 p.m., Thursday, November 30, 2023, in Fahy Hall Room 236, the Slavic Club will be showcasing the popular movie, Ivan Vasilyevich Changes His Profession.. Join us for an unforgettable cinematic journey as the Slavic Club presents Movie Night featuring the timeless classic, Ivan Vasilyevich Changes His Profession (also known as Ivan Vasilievich: Back to the Future).
May 28, 2023 · It didn’t work but it was a bold try. In a way the film doesn’t need the help. It is its own beast, a Soviet-era comedy that’s well made, slickly acted, and with enough going on at the periphery to make it also fascinating as a document of the era. The “Back to the Future” bit isn’t entirely fanciful. There is a time machine and two ...
