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Oct 5, 1990 · The dialogue is well-written, but it is indeed written. We admire the prose rather than the message. People make threats, and we think about how elegantly the threats are worded. "Miller's Crossing" comes from two traditions that sometimes overlap, the gangster movie of the 1930s and the film noir of the 1940s.
• It wasn’t until I was preparing to write this installment that I read Roger Ebert’s original review of the movie, in which he expressed a fair amount of skepticism. He cited the unearthly...
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Nov 23, 2020 · The cast of mobsters in the Coen brothers’ 1990 film “Miller’s Crossing” are most certainly human. Unless, of course, being human is a question of “friendship,” “character,” or ...
May 1, 2020 · He also ranks it as the second-best Coen flick. Others were turned off by the very same self-awareness, among them Roger Ebert, who called the strengths of the film “largely technical.” Miller’s Crossing (1990) Again, both are valid viewpoints on a film that intentionally walks the tightrope between being straightfaced and being tongue-in ...
Apr 22, 2012 · Miller’s Crossing [1990] – ★★★★1/2. Loosely based on Dashiell Hamett’s Red Harvest, Miller’s Crossing is an intelligent gangster film shot in the style of a film-noir. Directed by Joel Coen, and produced by Ethan Coen and Mark Silverman, the film centres on Tom Regan (Gabriel Byrne), who is the “right hand” of Leo O’Bannon ...
Oct 9, 2020 · In fact, Roger Ebert wrote a whole review of Miller’s Crossing without even bringing him up! As played by Gabriel Byrne , Tom is the biggest question mark in a film that’s full of them. He’s a shrewd thinker, understood by friends and adversaries as a man who can see several steps ahead on the board and manipulate various parties to a ...
Oct 16, 2020 · Even Roger Ebert (who gave it 3 stars) said, " This doesn't look like a gangster movie, it looks like a commercial intended to look like a gangster movie. Everything is too designed. That goes for the plot and the dialogue, too. The dialogue is well-written, but it is indeed written. We admire the prose rather than the message.
