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  1. Byzantine art and architecture is usually divided into three historical periods: the Early Byzantine from c. 330-730, the Middle Byzantine from c. 843-1204, and Late Byzantine from c. 1261-1453. The political, social, and artistic continuity of the Empire was disrupted by the Iconoclastic Controversy from 730-843 and then, again, by the Period ...

  2. Art and architecture flourished during the Middle Byzantine period, owing to the empire’s growing wealth and broad base of affluent patrons. Manuscript production reached an apogee ( 2007.286 ), as did works in cloisonné enamel ( 1997.235 ; 17.190.678 ) and stone and ivory carving ( 2007.9 ; 1970.324.3 ).

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  4. Jun 26, 2018 · The architecture of the Byzantine Empire (4th - 15th century CE) continued its early Roman traditions but architects also added new structures to their already formidable repertoire, notably improved fortification walls and domed churches. There was, as well, a much greater concern for the interiors of buildings rather than their exteriors.

    • Mark Cartwright
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  5. Byzantine art, architecture, paintings, and other visual arts produced in the Middle Ages in the Byzantine Empire (centred at Constantinople) and in various areas that came under its influence. The pictorial and architectural styles that characterized Byzantine art, first codified in the 6th century, persisted with remarkable homogeneity within ...

    • The Editors of Encyclopaedia Britannica
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  6. Dec 6, 2023 · In this sense, art of the Byzantine Empire continued some of the traditions of Roman art. Generally speaking, Byzantine art differs from the art of the Romans in that it is interested in depicting that which we cannot see—the intangible world of Heaven and the spiritual. Thus, the Greco-Roman interest in depth and naturalism is replaced by an ...

  7. Dec 6, 2023 · After the time of Constantine, a standardized church architecture emerged, with the basilica for congregational worship dominating construction. There were numerous regional variations: in Rome and the West, for example, basilicas usually were elongated without galleries, as at S. Sabina in Rome (522–32) or S. Apollinare Nuovo in Ravenna (c ...

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