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1983
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Francis Bacon (28 October 1909 – 28 April 1992) was an Irish -born British [1] figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. [2] .
Apr 28, 1992 · Francis Bacon produced some of the most iconic images of wounded and traumatized humanity in post-war art. Borrowing inspiration from Surrealism, film, photography, and the Old Masters, he forged a distinctive style that made him one of the most widely recognized exponents of figurative art in the 1940s and 1950s.
- Irish-British
- October 28, 1909
- Dublin, Ireland
- April 28, 1992
Paintings. Bacon's career spanned over six decades. Discover highlights such as Painting 1946, 1946 and trace his stylistic developments. Francis Bacon, Painting 1946, 1946. Collection: Museum of Modern Art, New York.
Apr 28, 1992 · Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his bold, grotesque, emotionally charged, raw imagery. He is best known for his depictions of popes, crucifixions and portraits of close friends.
- British, Irish
- October 28, 1909
- Dublin, Ireland
- April 28, 1992
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
Francis Bacon (1909–92) was a maverick who rejected the preferred artistic style of abstraction of the era, in favour of a distinctive and disturbing realism. Growing up, Bacon had a difficult and ambivalent relationship with his parents – especially his father, who struggled with his son’s emerging homosexuality.
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
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