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  1. Oliviero Gatti (1579 –1648), an Italian painter and engraver, was a native of Parma. He was a scholar of Giovanni Lodovico Valesio , and, from the resemblance of his style, although greatly inferior, to that of Agostino Carracci , was probably instructed in engraving by that master.

  2. Artist: Oliviero Gatti (Italian, active Bologna 1610–30) Artist: After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna) Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627–1691 Rome) Date: 1619. Medium: Engraving. Dimensions: Mount: 9 15/16 × 20 5/16 in. (25.2 × 51.6 cm) Sheet: 5 7/8 × 8 7/16 in. (15 × 21 ...

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  4. Dec 21, 2001 · Giles of Rome (who died in 1316 as archbishop of Bourges) was one of the most productive and influential thinkers active at the end of the 13th century, who played a major role also in the political events of his time.

  5. Giles of Rome O.S.A. (Latin: Aegidius Romanus; Italian: Egidio Colonna; c. 1243 – 22 December 1316) was a medieval philosopher and Scholastic theologian and a friar of the Order of St Augustine, who was also appointed to the positions of prior general of his order and as Archbishop of Bourges.

  6. Giles of Rome (born c. 1243, –47, Rome [Italy]—died 1316, Avignon, Fr.) was a Scholastic theologian, philosopher, logician, archbishop, and general and intellectual leader of the Order of the Hermit Friars of St. Augustine. Giles joined the Augustinian Hermits in about 1257 and in 1260 went to Paris, where he was educated in the house of ...

    • The Editors of Encyclopaedia Britannica
  7. Oliviero Gatti (1579–1648), an Italian painter and engraver, was a native of Parma. He was a scholar of Giovanni Lodovico Valesio, and, from the resemblance of his style, although greatly inferior, to that of Agostino Carracci, was probably instructed in engraving by that master.

  8. Giles' investigations into the nature of matter, space, and time, although usually carried out under the pretext of merely providing further refinements of traditional positions, in fact opened up a number of new theoretical dimensions, pointing away from traditional Aristotelian positions.

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