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- Bebop was complex and un-danceable, and therefore unpopular. So, Hard-bop moved back in the other direction. It used simpler melodies that were easier to sing, a slower tempo, a strong backbeat, a solid bluesy groove, all of which made it very danceable and thus popularised Jazz again.
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Hard Bop Characteristics. Hard bop was the dominant genre as Jazz from about 1955 to 1965. It’s characterised by: A strong blues and gospel influence (Return to Roots). So use of: Blues scale; Dominant chords; Blue notes & bent notes; Repetition; Call and response; Suspend chords and pedal point; It generally used minor keys/modes; It was ...
Jan 25, 2010 · Evolving out of 1950s bebop, hard bop incorporates elements of gospel, soul and R&B. One of the style's biggest supporters, Blue Note Records, celebrates its 70th anniversary this year.
Feb 8, 2024 · Jazz fans new and old are often puzzled by the difference between bebop and post bop, but with careful listening – and the right records, it gets much easier. By Kevin Le Gendre. 08 Feb 2024. The very term hard bop implies a tough, muscular variation of bebop but it also refers to a more accessible, less busy kind of music.
Dec 10, 2020 · Key characteristics of Hard Bop include: Increased focus on the blues and other gospel influences, among which are: Dominant chords. Blues Scales. Bent notes. Pedal points and sus chords. Repetition/call and response. Minor key centers were far more common.
Some of the key characteristics of hard bop include: – Bluesy and soulful melodies. – Complex harmonies. – Syncopated rhythms. – Aggressive and driving sound. – Emphasis on improvisation and extended solos. – Use of traditional jazz instruments, such as the saxophone, trumpet, and piano.
The rhythms and sounds of Black gospel music began to resonate in a new style known in the mid-1950s as hard bop. This change was partly in response to the popularity of cool jazz. Hard bop implies a return to some of the elements of the 1940s bebop style, which were configured using new concepts.
This chapter explores that badness, which goes beyond defying conventions. Yes, hard bop has a “badness” that translates into funkiness, but it also turns out that the hard bop produced by the jazzmen of the period often expressed and provoked troubling emotions.
