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Major Events: French Revolutionary wars. treaties of Rastatt and Baden. Key People: Frederick II. Gian Lorenzo Bernini. Christina. Alfonso V. Muhammad al-Idrisi. Related Places: Italy. Kingdom of Naples, state covering the southern portion of the Italian Peninsula from the Middle Ages to 1860. It was often united politically with Sicily.
- The Editors of Encyclopaedia Britannica
The Kingdom of Naples ( Latin: Regnum Neapolitanum; Italian: Regno di Napoli; Neapolitan: Regno 'e Napule ), was a state that ruled the part of the Italian Peninsula south of the Papal States between 1282 and 1816. It was established by the War of the Sicilian Vespers (1282–1302), when the island of Sicily revolted and was conquered by the ...
The early Italian Renaissance. Humanism; The arts and intellectual life; Early modern Italy (16th to 18th century) From the 1490s through the 17th-century crisis. French and Spanish rivalries after 1494. French loss of Naples, gain of Milan; Spanish acquisition of Naples; Tuscany and the papacy; French victories in Lombardy; The age of Charles ...
Aug 5, 2012 · The kingdom of Naples; By Francesco Senatore; Edited by Andrea Gamberini, Università degli Studi di Milano, Isabella Lazzarini, Università degli Studi del Molise, Italy; Book: The Italian Renaissance State; Online publication: 05 August 2012; Chapter DOI: https://doi.org/10.1017/CBO9780511845697.005
- Francesco Senatore
- 2012
Sep 24, 2020 · The history of Naples and its kingdom (Regno) during these four centuries is one of constant change, foreign influence, and internal turmoil and renewal: in short, a major metropolis of early modern Europe.
On January 26, 1443, he made his triumphal entry into Naples. Alfonso had dominion over Aragon, Catalonia, Valencia, Sicily, Sardinia, and all of southern Italy—only the king of France could boast more territory.
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Thus, when the Spaniard Jusepe de Ribera (1591–1652) arrived in Naples in 1616, he encountered an artistic community of two opposing factions, one leaning toward a progressive naturalism only recently introduced by Caravaggio (he left Naples in 1610), the other trying hard to retain a rigid but successful classical style fostered by Reni.
