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1. en.wikipedia.org › wiki › Méret_OppenheimMéret Oppenheim - Wikipedia

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   Object: Breakfast in Fur (1936) My Nurse (1936) Giacometti's Ear (1933) Movement: Surrealism, Conceptualism: Awards: Art Award of the City of Basel

2. www.ft.com › content › 5cf1bf70-1e79-4a7d-9255-2bbabMéret Oppenheim at MoMA review — provocative but patchy show ...

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   Nov 23, 2022 · Oppenheim fights back against womanhood’s constraints with knife-edged wit and an irascible cackle. ‘Ma Gouvernante — My Nurse — Mein Kindermädchen’ (1936/1967) © Prallan Allsten ...

   • Author: Ariella Budick

3. People also ask

   Why did Anne Oppenheim write 'ma gouvernante - my nurse - Mein Kindermädchen'?

   • For a few years, that breakthrough fuelled Oppenheim’s subversive inspiration, as she subjected the trappings of femininity to gleefully sinister overtones. “Ma Gouvernante — My Nurse — Mein Kindermädchen” reads like a cannibalistic revenge fantasy aimed at an overbearing governess.

   Méret Oppenheim at MoMA review — provocative but patchy show for

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   Who is Meret Oppenheim?

   • Meret (or Méret) Elisabeth Oppenheim (6 October 1913 – 15 November 1985) was a German-born Swiss Surrealist artist and photographer. Meret Oppenheim was born on 6 October 1913 in Berlin. She was named after Meretlein, a wild child who lives in the woods, from the novel Green Henry by Gottfried Keller.

   Méret Oppenheim - Wikipedia

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   What happened to Méret Oppenheim?

   • Towards the end of her life, Méret Oppenheim begged interviewers to stop asking about the furry teacup. That single work, produced in a burst of youthful inspiration in the 1930s, came to define her career and, five decades later, she was sick of it.

   Méret Oppenheim at MoMA review — provocative but patchy show for

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   What does Ma gouvernante – my nurse – Mein Kindermädchen look like?

   • “Ma Gouvernante — My Nurse — Mein Kindermädchen” reads like a cannibalistic revenge fantasy aimed at an overbearing governess. A pair of white pumps is trussed together like a chicken on a silver platter, with the turned-up soles where the breasts should be and the high heels, doubling as drumsticks, garnished in frilly paper booties.

   Méret Oppenheim at MoMA review — provocative but patchy show for

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4. www.wikiwand.com › en › Méret_OppenheimMéret Oppenheim - Wikiwand

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   Meret Elisabeth Oppenheim was a German-born Swiss Surrealist artist and photographer.

5. www.encyclopedia.com › oppenheim-meret-1913-1985Oppenheim, Méret (1913–1985) | Encyclopedia.com

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   Works include Quick, Quick, the Most Beautiful Vowel Is Voiding (1934); Fur-Covered Cup, Saucer and Spoon ( Breakfast in Fur , 1936); My Nurse (1936); The Couple (1956); Primeval Venus (1962); Octavia (1969); Word Wrapped in Poisonous Letters (1970); Pair of Gloves (1985).

6. www.geni.com › people › Méret-OppenheimMéret Elisabeth La Roche (Oppenheim) (1913 - 1985) - Genealogy

   www.geni.com › people › Méret-Oppenheim

   Nov 4, 2023 · August bis zum 1. Dezember des Jahres läuft.[2] Werke. Déjeuner en fourrure („Frühstück im Pelz“). 1936, Museum of Modern Art, New York [3] Ma gouvernante – my nurse – mein Kindermädchen. 1936, Museum of Modern Art, New York. Le couple („Das Paar“) Tisch mit Vogelfüssen. 1939, Privatbesitz[4] Miss Gardénia. Das Eichhörnchen

   • Location: Berlin
   • Birthplace: Charlottenburg, Berlin, Berlin, Germany

   • Birthdate: October 06, 1913
   • Place of Burial: Basel, Basel-Stadt, Basel-Stadt, Switzerland

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8. zh.wikipedia.org › wiki › 梅雷特·奧本海姆梅雷特·奧本海姆 - 维基百科，自由的百科全书

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   Méret Elisabeth Oppenheim 1913年10月6日 德意志帝國 柏林: 逝世: 1985年11月15日 （72歲） 瑞士 巴塞爾: 教育程度: 大茅舍藝術學院, Basel School of Arts and Crafts: 知名于: 繪畫, 雕塑, 詩歌: 知名作品: Object: Breakfast in Fur (1936) My Nurse (1936) Giacometti's Ear (1933) 运动: 超現實主義: 奖项

9. realitybitesartblog.blogspot.com › 2011 › 01Bite 48: Méret Oppenheim - Ma Gouvernante (My Governess), 1936

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   Jan 28, 2019 · Bite 48: Méret Oppenheim - Ma Gouvernante (My Governess), 1936. Well-worn high-heel shoes lie trussed-up on a silver platter. Mini chefs hats adorn the heels as if they were legs of poultry. A surrealist object, it cleverly juxtaposes objects as a parody on the display of feminine vanity and the fine line between female sexuality and being ...