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  1. Art Nouveau, Glasgow Style, Symbolism. Spouse. Charles Rennie Mackintosh. Margaret Macdonald Mackintosh (5 November 1864 – 7 January 1933) was an English-born artist who worked in Scotland, and whose design work became one of the defining features of the Glasgow Style during the 1890s to 1900s.

  2. Died 1933. Nationality Scottish. Birth place Tipton, Staffordshire. Death place Chelsea. Margaret Macdonald Mackintosh was, alongside her husband Charles Rennie Mackintosh, one of the key figures in the emergence of the ‘Glasgow Style’ in the 1890s.

  3. Margaret Macdonald Mackintosh (5 November 1864 – 7 January 1933) was a English-born artist who worked in Scotland, and whose design work became one of the defining features of the "Glasgow Style" during the 1890s. Born Margaret Macdonald, at Tipton, near Wolverhampton, her father was a colliery manager and engineer.

    • British, Scottish
    • November 5, 1864
    • Tipton, United Kingdom
    • January 7, 1933
    • margaret macdonald mackintosh1
    • margaret macdonald mackintosh2
    • margaret macdonald mackintosh3
    • margaret macdonald mackintosh4
  4. Jan 10, 2011 · Margaret MacDonald Mackintosh (1864-1933) amassed a challenging and varied portfolio of work, which showcased her range as an artist. Skilled in a variety of media such as watercolour,...

  5. Margaret MacDonald Mackintosh, Photographed by Annan in c. 1906. The following is a very brief over view, but does put into context the gesso panels Margaret Macdonald created during her life, as well as highlighting some of the major collaborative works she completed with her husband Charles Rennie Mackintosh.

  6. Margaret Macdonald (1864-1933) Margaret Macdonald was one of the most gifted and successful women artists in Scotland at the turn of the century. Her output was wide-ranging and included watercolours, graphics, metalwork and textiles.

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  8. Margaret Macdonald Mackintosh is highly regarded as a notable artist and designer of gesso panels and metalwork. This Summer panel is an allegorical work in which a stylised Art Nouveau figure of a woman and four infants represent the fecundity and greenness of the season.

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