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Margit Carstensen (29 February 1940 – 1 June 2023) was a German theatre and film actress, best known outside Germany for roles in the works of film director Rainer Werner Fassbinder. She appeared in films of directors Christoph Schlingensief and Leander Haußmann and on television in Tatort.
Margit Carstensen (* 29. Februar 1940 in Kiel; † 1. Juni 2023 in Heide [1]) war eine deutsche Theater - und Filmschauspielerin. Bekanntheit erlangte sie unter anderem durch ihre Rollen in den Produktionen von Rainer Werner Fassbinder . Inhaltsverzeichnis. 1 Bühnenkarriere. 2 Film- und Fernsehrollen. 3 Auszeichnungen. 4 Filmografie. 5 Hörspiele.
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Jun 1, 2023 · Biography. Margit Carstensen (29 February 1940 – 1 June 2023) was a German theatre and film actress, best known outside Germany for roles in the works of film director Rainer Werner Fassbinder. Carstensen was born and raised in the northern German city of Kiel. Upon graduation from the local high school in 1958, she studied acting at the ...
Margit Carstensen was born on February 29, 1940 in Kiel, Schleswig-Holstein, Germany. She is an actress, known for The Bitter Tears of Petra von Kant (1972), Martha (1974) and Possession (1981).
Margit Carstensen ( Kiel, 29 februari 1940 – Heide, 1 juni 2023) was een Duitse actrice. Zij was een belangrijke diva en muze van Rainer Werner Fassbinder, net zoals de internationaal meer bekende Hanna Schygulla . Leven en werk. Opleiding en eerste stappen in de toneelwereld.
Jun 5, 2023 · Born in the northern German city of Kiel as the daughter of a physician, she studied acting in Hamburg and began her career in theatre. Margit Carstensen also worked in international productions like POSSESSION by Andrzej Zulawski (1981), LA MOITIÉ DE L’AMOUR by Mary Jimenez and ANGRY HARVEST by Agnieszka Holland (both 1985).
Margit Carstensen ( Kiel, 29 febbraio 1940 – Heide, 1º giugno 2023 [1]) è stata un' attrice tedesca di cinema e teatro, nota in Italia soprattutto per l'interpretazione del film Le lacrime amare di Petra von Kant di Rainer Werner Fassbinder .
