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Old-style Adobe Garamond, an example of an old-style serif. Old-style typefaces date back to 1465, shortly after Johannes Gutenberg's adoption of the movable type printing press. Early printers in Italy created types that broke with Gutenberg's blackletter printing, creating upright and later italic styles inspired by Renaissance calligraphy.
- Edward Catich
- 1968
Nov 16, 2019 · Characteristics. Old Style fonts are based on ancient Roman inscriptions and typically are characterized by: Low contrast between thick and thin strokes. Wedge-shaped serifs. Left-leaning axis or stress. Small x-heights. Lowercase ascenders taller than the height of capital letters.
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Mar 5, 2019 · B ut serifs don’t die easily. By 1896, they staged a comeback with the Art Nouveau movement, which celebrated “floriated madness.”The movement so infuriated the typographer Adolf Loos that, in 1908, he wrote an essay titled “Ornament and Crime” declaring that the “evolution of culture marches with the elimination of ornament from useful objects.”
Aug 11, 2016 · Serif Typefaces. The serif typefaces have short lines at the term of each character. The old style serifs show inspirations from Roman inscriptional or carved writings. The Garalde and Venetian are the more popular old style serifs. The noticeable different is evident in circular characters.
Bookman, or Bookman Old Style, is a serif typeface. A wide, legible design that is slightly bolder than most body text faces, Bookman has been used for both display typography, for trade printing such as advertising, and less commonly for body text.
Photo-Lettering ’s French Elzevir 2 is a phototype adaptation apparently based on French Old Style No. 2 [ PLINC 1950 ]. It was later listed as Elzevir No.2 [ More…. French Oldstyle in use. “French Elzevir or French Oldstyle was derived from types popularized in France in the eighteenth to early nineteenth centuries [Beaudoire, 1909], and ...
Old Style or Modernised Old Style was the name given to a series of serif typefaces cut from the mid-nineteenth century and sold by the type foundry Miller & Richard, of Edinburgh in Scotland. It was a standard typeface in Britain for literary and prestigious printing in the second half of the nineteenth century and the early twentieth century ...
