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Shane Salerno (born November 27, 1972) is an American screenwriter, producer, director, and Chief Creative Officer of The Story Factory. His writing credits include the films Avatar: The Way of Water, Armageddon, Savages, Shaft, and the TV series Hawaii Five-0. He has written, co-written or rewritten six films that debuted at #1 at the box ...
Mar 9, 2023 · The group — Cameron, Salerno, Rick Jaffa, Amanda Silver and Josh Friedman — spent two weeks rewatching the first film and breaking it down scene by scene, presenting reasons why they thought it worked. Then the pitching began and, Salerno says, “Jim became Jim Cameron, the writer. You were able to say, 'That’s a bad idea and here’s ...
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Salinger is a 2013 American documentary film about the reclusive writer J. D. Salinger directed and produced by Shane Salerno. The film tells the story of Salinger's life through interviews with friends, historians, and journalists. The film premiered at the 40th annual Telluride Film Festival [2] and had a second premiere on the opening night ...
Shane Salerno. Writer: Armageddon. Shane Salerno is the co-screenwriter of the forthcoming Avatar: The Way of Water (2022), Avatar 3 (2025), Avatar 4 (2029), Avatar 5 (2031) produced and directed by Oscar winner James Cameron.
- January 1, 1
- Producer, Writer, Music Department
- Memphis, Tennessee, USA
- Shane Salerno
Jan 6, 2014 · January 6, 2014. Filmmaker Shane Salerno dedicated ten years of his life to answering three questions about the elusive, yet famous writer, J.D. Salinger. In this interview with the writer and ...
Sep 5, 2013 · By Nicole Sperling. Sept. 5, 2013 7:30 AM PT. When Shane Salerno turned 40 last year, he decided it was finally time to let his obsession go. The screenwriter, best known for his collaborations ...
Mar 23, 2017 · The journey Salerno took from screenwriter to video game writer is actually rarer than you might think. Sure, there are other examples, but the fact is that the most successful video game writers approach the form uniquely, knowing that it’s not ever going to replicate what we get from film or television directly, but that it has its own strengths and abilities.
