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  1. Laura is a 1944 American film noir produced and directed by Otto Preminger. It stars Gene Tierney, Dana Andrews, and Clifton Webb along with Vincent Price and Judith Anderson. The screenplay by Jay Dratler, Samuel Hoffenstein, and Betty Reinhardt is based on the 1943 novel Laura by Vera Caspary.

  2. Feb 25, 2013 · What Preminger described as a “gimmick” solidified the film’s place in the noir tradition. Laura’s (Gene Tierney) return to her apartment – after she’s believed to be dead – immediately makes her into a murder suspect. At this moment the murder mystery completes its transformation into an hallucinatory narrative.

    • Matthew Sorrento
  3. Nov 7, 2021 · Laura, the 1944 film based on the 1943 novel of the same name by Vera Caspary, has earned a secure place among the finest of the film noir genre. Excerpted from A Girl Named Vera Can Never Tell a Lie: The Fiction of Vera Caspary by Francis Booth ©2022. Reprinted by permission.

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  5. Laura (1944) - Film Noir. Classic Film Noir exposes the myths by which we fulfil our desires — sex — murder — and the suburban American dream. Laura (1944) is a classic murder mystery web of love film noir drama of meagre and unhealthy male obsession directed by Otto Preminger, starring Gene Tierney, Dana Andrews, Clifton Webb and Vincent Price.

  6. Sep 2, 2014 · Diane is introduced to readers during a conversation between Shelby, Detective Mark McPherson (Dana Andrews in the film) and Laura’s aunt Susan Treadwell (renamed Ann Treadwell and played by Judith Anderson in the film) Susan says (Page 29-30): ”The evil that men do lives after them; the good is oft buried with their bones,” she misquoted ...

  7. en.wikipedia.org › wiki › Film_noirFilm noir - Wikipedia

    Nicholas Christopher, Somewhere in the Night (1997) While many critics refer to film noir as a genre itself, others argue that it can be no such thing. Foster Hirsch defines a genre as determined by "conventions of narrative structure, characterization, theme, and visual design." Hirsch, as one who has taken the position that film noir is a genre, argues that these elements are present "in ...

  8. His 1944 film noir Laura is not only exceptionally put together, but is a film of cultural and historical significance for American cinema. Adapted from the 1943 novel by Vera Caspary by Jay Dratler, Samuel Hoffenstein and Betty Reinhardt, Laura tells an engaging story full of mysterious plot twists and deceiving distractions.

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