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Adolf Loos was an Austrian architect whose planning of private residences strongly influenced European Modernist architects after World War I. Frank Lloyd Wright credited Loos with doing for European architecture what Wright was doing in the United States. Educated in Dresden, Germany, Loos.
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- Famous Quotes: 'Ornament and Crime'
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Adolf Franz Karl Viktor Maria Loos was born December 10, 1870, in Brno (then Brünn), which is the South Moravian Region of what was then part of the Austria-Hungary Empire and is now the Czech Republic. He was one of four children born to Adolf and Marie Loos, but he was 9 when his sculptor/stonemason father died. Although Loos refused to continue ...
In 1896, Loos returned to Vienna and worked for the Austrian architect Karl Mayreder. By 1898, Loos had opened his own practice in Vienna and became friends with free-thinkers such as philosopher Ludwig Wittgenstein, expressionist composer Arnold Schönberg, and satirist Karl Kraus. The intellectual community of Vienna at the time of the Belle Epoqu...
While Loos' architecture was explicitly clean in line and structure, his personal life was in shambles. In 1902, he married 19-year-old drama student Carolina Catharina Obertimpfler. The marriage ended in 1905 amidst a public scandal: he and Lina were close friends of Theodor Beer, an accused child pornographer. Loos tampered with the case, removin...
Loos-designed homes featured straight lines, clear and uncomplicated walls and windows, and clean curves. His architecture became physical manifestations of his theories, especially raumplan ("plan of volumes"), a system of contiguous, merging spaces. He designed exteriors without ornamentation, but his interiors were rich in functionality and volu...
Adolf Loos is best-known for his 1908 essay "Ornament and Verbrechen," translated as "Ornament & Crime." This and other essays by Loos describe the suppression of decoration as necessary for modern culture to exist and evolve beyond past cultures. Ornamentation, even "body art" like tattoos, is best left for primitive people, like the natives of Pa...
Nearly deaf from syphilis and cancer by age 62, Adolf Loos died in Kalksburg near Vienna, Austria, on August 23, 1933. His self-designed gravestone in Central Cemetery (Zentralfriedhof) in Vienna is a simple block of stone with only his name engraved—no ornamentation.
Adolf Loos extended his architectural theories in his 1910 essay "Architektur," translated as "Architecture." Decrying that architecture had become a graphic art, Loos argues that a well-made building cannot be honestly represented on paper, that plans do not "appreciate the beauty of bare stone," and that only the architecture of monuments should ...
Andrews, Brian. "Ornament and Materiality in the Work of Adolf Loos." Material Making: The Process of Precedent, 2010. Association of Collegiate Schools of Architecture, p. 438Colomina, Beatriz. "Sex, Lies and Decoration: Adolf Loos and Gustav Klimt." Thresholds.37 (2010): 70–81.Loos, Adolf. "Architecture." 1910.Loos, Adolf. "Ornament and Crime." 1908.Dec 10, 2019 · Adolf Loos (December 10, 1870 – August 23, 1933) was among the most influential European architects of the late 1800s, whose writings foreshadowed Modernism.
Nov 28, 2021 · Loos believed that by removing the “excess” and “clutter” of architecture, the design would shape people’s habits and enable them to live well- core values of modernism that are still ...
Adolf Loos is one of Austria’s best-known architects and architectural theorists and a pioneer of Modernism. For Loos, “art” was found solely in the realm of the fine arts. His 1910 essay and lecture Ornament and Crime, in which he explained that the absence of ornamentation is a sign of cultural refinement and modernity wholly in line with
Overview of the Artist. Adolf Franz Karl Viktor Maria Loos (10 December 1870 to 23 August 1933) was a Czechoslovak and Austrian architect, influential European philosopher, and modern architecture social critic. He served as a modernist inspiration and a well-known Art Nouveau movement critic. His debatable ideas and literary participation ...
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Jan 11, 2019 · Julius Meier-Graefe, well-known art writer and historian, described Loos as “architect and writer, artist and thinker.”. In 1898 he published his firsts book of writings, Spoken into the Void, 1897-1900, for the Neue Freie Presse. His main targets were the Secessionist Movement and Josef Hoffmann and Josef Olbrich in particular.
