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Ornament and Verbrechen
- Adolf Loos is best-known for his 1908 essay " Ornament and Verbrechen," translated as "Ornament & Crime." This and other essays by Loos describe the suppression of decoration as necessary for modern culture to exist and evolve beyond past cultures.
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Adolf Loos (December 10, 1870–August 23, 1933) was a European architect who became more famous for his ideas and writings than for his buildings. He believed that reason should determine the way we build, and he opposed the decorative Art Nouveau movement, or, as it was known in Europe, Jugendstil.
6 Mins Read. Adolf Franz Karl Viktor Maria Loos (10 December 1870 – 23 August 1933) was an influential Austrian and Czechoslovakian architect of European Modern architecture and a leading critic in the field of construction and design. Loos was known for his controversial views on the use of ornamental decoration in the architecture and ...
Nov 28, 2021 · Adolf Loos and the Beginnings of European Modernism. Written by Kaley Overstreet. Published on November 28, 2021. Share. Throughout history, architectural styles, have experienced numerous ...
Adolf Loos (born December 10, 1870, Brno, Moravia, Austria-Hungary [now in Czech Republic]—died August 23, 1933, Kalksburg, near Vienna, Austria) was an Austrian architect whose planning of private residences strongly influenced European Modernist architects after World War I.
- The Editors of Encyclopaedia Britannica
Jan 8, 2021 · In 1900 the Viennese architect Adolf Loos related his story “ The Poor Little Rich Man ”, about a wealthy man who commissioned an architect to redesign his home. The architect discarded all ...
Adolf Loos (December 10, 1870 in Brno, Moravia – August 8, 1933 in Vienna, Austria) was an early-twentieth century Viennese architect. He believed that what is beautiful must also be useful, and linked beauty and utility by returning an object to its true utilitarian value.
Oct 8, 2013 · Originally from Brno, he returned to the intellectual café society of Vienna in 1894, a clan righteously circumspect in believing in almost anything. He especially fell in with Karl Kraus and poetic muse Peter Altenberg and out with Viennese architects; publishing witty, sarcastic pieces satirising the Secession, Germany’s bad plumbing ...
