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Farabi's philosophy of Music successfully. Plato, who conducts research and studies on the effects of music on human life, enabled us to be enlightened about the music of that period with his...
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In order to examine Al Farabi's approach to music philosophy, we must investigate the method of analyzing music science that he systematized. Farabi has reflected his unique philosophy of Music philosophy by examining the music science and understanding determined in the previous periods.
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This article's approach is to acquire Al Farabi's point of view on the philosophy of music. Under the heading of Farabi's music philosophy, we determine that music is not just about art and entertainment.
- Gulzhikhan Nurysheva
Music. His huge Kitāb al-musiqā al-kabīr or Great Book of Music is the most important medieval musical treatise in Islamic lands and also includes sophisticated philosophical sections. Beginning in the 1980s, much has happened in Farabian scholarship.
Al-Fārābī conceived of music theory as a universal science of melody whose task is to determine the whole range of what is musically possible. It does not restrict itself to codifying the conventions of any particular musical idiom.
The “Great Book on Music” (“Kitab al-musiqi al-kabir”) by Abu Nasr Muhammad al-Farabi, the eminent Islamic philosopher-encyclopedist and musical theorist (870–950), occupies a special place in musical historiography as the most extensive and systematic scholarly source on music from the “Muslim Renaissance” era.
His division of the science of music into the sciences of practical and theoretical music presents no problem and is the most widely adopted single element of his thought on music.
