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Sep 30, 2015 · Dance can be an expression of emotion or aesthetic impulses, or it can be more like a scientific investigation into the physics of moving bodies. Dance can be a social or sensual activity, performed with a partner, or it can be part of a cultural ritual or spiritual practice. There are many different styles, forms, and functions dance can have.
1. Analytic Ontology of Dance as Art. 1.1 Problem (s) of Identity and Reconstruction. 1.2 Dance as Ephemeral Art. 2. Dance as Agency and Intentional Action.
Nov 1, 2012 · The book reaffirms McFee's reputation as one of the Western world's foremost thinkers about dance and presents his most fully developed theory of dance art, while also advancing a number of new and important theses that current philosophers interested in dance cannot ignore in their future work.
- Renee M. Conroy
- 2012
This chapter argues that to dance is to connect and challenges the materialist idea—inclined against dancing—that humans are individuals first and foremost who choose to enter into relationships our bodily movements create with those who support us in becoming who we are.
The dancing philosopher just has the moving, interacting, kinaesthetic aspects human of personhood as an essential part of his or her intentional agency in heightened form. The study of dance, then, and in particular the perspective of dancers, has much to offer philosophy.
- Aili W. Bresnahan
- 2016
Jul 22, 2014 · This article is concerned with epistemological questions of dance, specifically, the nature of dance knowledge. The aim is to address the role of our bodily activity and the tactile-kinaesthetic sense in epistemology and to clarify the concept “bodily knowledge”—knowing in and through the body.
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Lorenz Oken (1 August 1779 – 11 August 1851) was a German naturalist, botanist, biologist, and ornithologist.
