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- Byzantine artists were constrained by church and empire to focus solely on instructing the faithful in theology and worship. Byzantine art was strongly Didactic. This spiritual and theological purpose can be seen in the Byzantine Icon: a Christian image of Jesus, Mary, or a saint who had earned special favor with God.
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The use of images will be a continuing issue in the history of Christianity. The best explanation for the emergence of Christian art in the early Church is due to the important role images played in Greco-Roman culture. As Christianity gained converts, these new Christians had been brought up on the value of images in their previous cultural ...
- I. Historical Sketch
- II. Liturgical Music and Orthodox Spirituality
- Some Working Criteria
Now for the first millennium of Christianity, we have no direct information about sacred melody. There are no musical manuscripts; there was no need of a notation since the tunes were the property of all the believers and were well known. On the basis of indirect evidence, I suggest that the origins of early Christian chant lie partly in the music ...
Is there a message for today in all of this? How applicable is the musical aesthetic of the medieval East to the current liturgical and ecclesiastical circumstances of the twenty-first century? Whichever style we choose to adopt — monophonic or polyphonic — there are, I believe, three fundamental concepts in Orthodox spirituality that can be made t...
1. Liturgical chant must maintain a symbiotic relationship between the music and the text. The text is to be enhanced by the musical element but the music should not have an independent existence from the words. All of the elements of melody: contour, phrasing, rhythm, form, are to reflect the poetic patterns inherent in the text. 2. Where polyphon...
- The Raising of Lazarus. The Raising of Lazarus (a friend of Christ’s) from the dead is recorded in John 11:38–44. The Eastern Orthodox Church commemorated this miracle of Christ on the Saturday before Palm Sunday.
- The Entry into Jerusalem. The Entry into Jerusalem is recounted in Matthew 21:1–11, Mark 11:1–10, Luke 19:29–40, and John 12:12–19 and is commemorated on Palm Sunday, the Sunday before Pascha (Easter).
- The Last Supper. The Last Supper, “Mystical Supper,” or just “Supper” (Greek: Deipnos), represents the Passover meal that Christ shared with his disciplines before his crucifixion, which is recorded in Matthew 26:20–29, Mark 14:17–25, Luke 22: 14–23, and I Corinthians 11:23–26, and is commemorated on Holy Thursday (known as “Maundy Thursday” in the Latin church).
- The Washing of the Feet. The Washing of the Feet occurred during the Last Supper, according to John 13:2–15. In the Gospel account, Peter resists letting Jesus wash his feet.
1. Overview. Byzantine music is the medieval sacred chant of all Christian churches following the Eastern Orthodox rite. This tradition, principally encompassing the Greek-speaking world, developed in Byzantium from the establishment of its capital, Constantinople, in 330 until its conquest in 1453.
Apr 24, 2023 · This is known as a centrally planned church. The church was begun by Bishop Ecclesius in 527, when Ravenna was under the rule of the Ostrogoths, and completed by the twenty-seventh Bishop of Ravenna, Maximian, in 546 during the Byzantine Exarchate of Ravenna. The architect or architects of the church is unknown.
NOTE: Byzantine art is almost entirely devoted to Christian art, and revolves around the church. It is dominated by mosaics and icons , for which it is world famous. In addition to icons - typically small panel paintings done in encaustic paint - Byzantine-era artists excelled at fresco mural painting , as well as the illustration of gospel ...
Although Byzantine music is linked with the spread of Christianity in Greek-speaking areas of the Eastern Roman Empire, it probably derives mostly from Hebrew and early Syrian Christian liturgies ( see Syrian chant ). Various types of hymns were prominent, among them those called troparion, kontakion, and kanōn ( qq.v. ).
