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Battista was the first legitimate child born to Alessandro Sforza, lord of Pesaro, and Costanza da Varano (1428–1447), the eldest daughter of Piergentile Varano (d. 1433), Lord of Camerino, and Elisabetta Malatesta. In 1447, Costanza died after giving birth to her second child, a son called Costanzo (d. 1483), when Battista was 18 months old.
Giovanni Battista Bugatti pictured offering snuff to a condemned prisoner Note: Executions between 1798 and 1815 (Congress of Vienna), executions in papal Rome were to some degree controlled by the French authorities. 1800–1810. Gregorio Silvestri, hanged at Piazza del Popolo, self-confessed conspirator (January 18, 1800). Antonio Felici, Gio.
In July 2003 a part of the process for the Capaci bombing and the massacre of Via d'Amelio were brought together in one trial because they had been accused in common: in April 2006 the Court of Appeal of Catania condemned twelve people, as they were deemed to be mandated by both massacres: Giuseppe Montalto, Salvatore Montalto, Giuseppe ...
Jul 16, 2023 · Antonio Vivaldi (engraving by François Morellon de La Cave (fr), from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8) Antonio Lucio Vivaldi (4 March 1678–28 July 1741) was an Italian baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest baroque composers, and his influence ...
Oct 9, 2022 · Giovanni Battista Bugatti, known as Mastro Titta (Senigallia, 1779 – Rome, 1869) was an Italian executioner of the Papal States who executed 514 people during his 68 years of activity. He became an executioner at the age of 17, in 1796. Bugatti noted 516 names of the executed, but two convicts are subtracted from the account, one because he ...
“I need to produce great ideas, and I believe that if I were commissioned to design a new universe, I would be mad enough to undertake it.” This statement by Giovanni Battista Piranesi, reported by one of his early biographers, in many ways sums up the man whose dreams of antiquity so often surpassed reality, from his earliest etchings of architectural fantasies to the fanciful ...
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Italian Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art, Venetian School. New York, 1973, pp. 60–63, pl. 67, believe that the painting more probably depicts events from the life of the fifth-century-B.C. Roman hero Gaius Marcius Coriolanus than the battle of Vercellae in 101 B.C. Felice Stampfle and Cara D. Denison.
