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- Nicholas Of Verdun (flourished c. 1150–1210, Flanders) was the greatest enamelist and goldsmith of his day and an important figure in the transition from late Romanesque to early Gothic style. He was an itinerant craftsman who travelled to the site of his commission; therefore most of what is known of his life is inferred from his works.
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Nicholas Of Verdun (flourished c. 1150–1210, Flanders) was the greatest enamelist and goldsmith of his day and an important figure in the transition from late Romanesque to early Gothic style.
- The Editors of Encyclopaedia Britannica
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Nicholas of Verdun is renowned as the greatest representative of Mosan art - a regional style of Romanesque art practiced in and around the Meuse River valley, especially the area around Liege and the Benedictine monastery of Stavelot.
Nicholas of Verdun is renowned as the greatest representative of Mosan art - a regional style of Romanesque art practiced in and around the Meuse River valley, especially the area around Liege and the Benedictine monastery of Stavelot.
May 28, 2021 · Nicolas de Verdun is one of the greatest artists of the Middle Ages, one of the key figures in understanding the so-called classicist turn in Western art in the late 12th and early 13th centuries, which critics later referred to as the “1200 style.”
Overview. Nicholas of Verdun. (1181—1205) Quick Reference. (active late 12th century–early 13th century). Mosan goldsmith, enameller, and metalworker. He is considered the greatest goldsmith and enameller of his day and a major figure in the transition from Romanesque to Gothic.
Biography. NICHOLAS OF VERDUN. (active 1181-1205) Biography. French goldsmith. His known works indicate that he was one of the leading metalworkers of his day and an early exponent of the classicising styles around 1200 that formed a transition between Romanesque and Gothic.
The relics were acquired in Milan in 1164, and the goldsmith Nicholas of Verdun was commissioned to create one of the most ambitious reliquaries in Europe. This tiny arch, which comes from this important shrine, was removed during nineteenth-century restorations.
