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Film debuts. References. External links. 1971 in film. The year 1971 in film involved some significant events. Highest-grossing films (U.S.) The top ten 1971 released films by box office gross in North America are as follows: Events. February 8 - Bob Dylan 's hour-long documentary film, Eat the Document, premieres at New York's Academy of Music.
- List of 1971 Box Office Number-One Films in The United States
For the weekend ending December 19, 1971, Diamonds Are...
- Shoot Out
Shoot Out is a 1971 American Western film directed by Henry...
- Willard
Willard is a 1971 American horror film directed by Daniel...
- Billy Jack
Billy Jack is a 1971 American action drama independent film,...
- List of 1971 Box Office Number-One Films in The United States
Highest-grossing films of 1971 Rank Title Distributor Domestic gross 1 Billy Jack: Warner Bros. $98,000,000 2 Fiddler on the Roof: United Artists: $78,722,370 3 Diamonds Are Forever: United Artists $43,800,000 4 The French Connection: 20th Century Fox: $41,158,757 5 Summer of '42: Warner Bros. $32,063,634 6 Dirty Harry: Warner Bros. $28,153,434 ...
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- Plot
- Background
- Major Themes
- Context
- Cultural Impact
- Reception
- Soundtrack
- Home Media
- Sequels
- Pop Culture References
In January 1971,[Note 1] private detective John Shaftis informed that some gangsters are looking for him. He spots one of the men waiting for him in his office building and ambushes him. At gunpoint, he brings him to his office, where the second gangster is already waiting. During a short fight, Shaft dodges one of them, who falls out of a window. ...
Shaft was adapted from Ernest Tidyman's novels by Tidyman and screenwriter John D. F. Black. Joel Freeman and executive producers Stirling Silliphantand Roger Lewis produced the film. The screen detective genre in the late 1960s had been dominated by the big movies, big stars. Paul Newman had established his Harper in 1966, (the character reprised ...
Portrayal of race
Shaft played a crucial part in the development of African-American advancement in Hollywood.In the creation of Shaft, there was a significant African-American presence, with director Parks, editor Hugh A. Robertson, and composer Isaac Hayes playing crucial roles. On the other hand, white men controlled the other important aspects of Shaft's production. Scenarist and writer Tidyman, writer Black, producer Freeman, and executive producers Silliphant and Lewis were all white men who heavily infl...
Black power through masculinity
Although Shaftwas a depiction of Blackness by white creators, the movie touched on several themes that reflected the ideals of the Black Power movement. Some of the actions taken by Shaft highlighted the positive aspects of this movement, while others brought out some of its less progressive facets. A noticeable quality of Roundtree's character was his commanding presence and the control that he displayed in almost every situation he faced throughout the film. In the Black Power movement, lea...
The fifth blaxploitation film released, Shaft is one of the most popular films of the genre. Commenting on the film shortly after its release, New York Times movie critic Vincent Canby accurately predicted the wave of blaxploitation films to follow: "How audiences react, however, has a great deal to do with the kind of movies that do get made, and ...
Considered as "the first Black action hero", Roundtree is credited with having an impact on the rise of African American leading actors in Hollywood projects, thanks to his successful performances in the Shaft franchise. The way Richard Roundtree portrayed Shaft created a Black male style that was so distinct and pervasive it became known as “swag”...
Box office performance
The film was one of only three profitable movies that year for MGM, grossing what Timemagazine called an "astonishing" $13 million on a budget of $500,000. The Los Angeles Times said the film cost $1 million after advertising and other costs and grossed $4.5 million. According to Varietyby 1976 it earned $7.656 million in theatrical rentals. It not only spawned several years of "blaxploitation" action films, it earned enough money to save then-struggling MGMfrom bankruptcy.
Public reception
Shaft was extremely successful in theaters, which was a huge accomplishment for the then-struggling MGM studios. It was produced at a cost of $1.2 million while earning $10.8 million in its first year of distribution,$7 million in the U.S. alone.
Critical reception
The critical reception of Shaft was mixed. In general, the film was applauded for its innovation, success, and its lasting effect on the film industry. "Because of the film's positioning securely within the parameters of industry standards, Shaft was generally applauded by the critics both black and white, as being a breakthrough production in terms of expanding black representation in commercial cinema."[better source needed] Roger Ebert gave the film two-and-a-half stars out of four and wro...
One of the greatest factors contributing to Shaft's wild success and lasting appeal is its memorable musical score, "a revolutionary funk/soul masterpiece". Hayes auditioned for the role of Shaft but was asked to compose the musical score instead. "Vulgar, shallow, and crudely done, Shaft distinguished itself mainly by having the best musical score...
Shaft was released on VHS, followed by a DVD release in June 2000, and a Blu-ray release in 2012. The Criterion Collection released the film on Blu-ray and Ultra HD Blu-ray in June 2022, featuring a 4Krestoration.
Shaft initially had two sequels called Shaft's Big Score! (1972) and Shaft in Africa (1973), with "neither capturing the soul of the original", according to author Howard Hughes. An additional sequel, and part remake, was released in 2000, also called Shaft, starring Samuel L. Jackson as the title character, and Roundtree appearing as his "Uncle" J...
Already in 1972, Pam Grier's character in Hit Man starred in a pornographic film she believed was a screen test for Shaft. On The Fresh Prince of Bel-Air, Shaft is the idol of the fictional Will Smith, and several episodes[specify] make references to the film. In one episode Will has shattered his young cousin's faith in a comic character, only to ...
- A Clockwork Orange 1971, 136 min. Stanley Kubrick • Starring: Malcolm McDowell, Warren Clarke, Patrick Magee. Based-on-20th-Century-Literature • Dystopian Film • Juvenile Delinquency Film.
- Willy Wonka & the Chocolate Factory 1971, 100 min. Mel Stuart • Starring: Jack Albertson, Julie Dawn Cole, Gene Wilder. Adventure • Based-on-20th-Century-Literature • Coming-of-Age.
- The French Connection 1971, 104 min. William Friedkin • Starring: Gene Hackman, Fernando Rey, Roy Scheider. Action Thriller • Action • Based-on-20th-Century-Literature.
- The Last Picture Show 1971, 118 min. Peter Bogdanovich • Starring: Timothy Bottoms, Jeff Bridges, Cybill Shepherd. Americana • Coming-of-Age • Drama. find this movie on ►
Jun 17, 2021 · Why was it such a special year? Well, 1971 stood at the precipice of a wild decade – described as one in which movies actually mattered by film historian David Thomson. In terms of Hollywood...
Mar 7, 2023 · Updated March 7, 20231,235 items. List of all movies released in 1971, with film trailers when available. These movies of 1971 are listed alphabetically, but if you're looking for a particular film, you can search for it by using the Filter option below. This list includes some of the best movies of 1971, but since it's a list of all 1971 films ...
Media in category "1971 in film". The following 5 files are in this category, out of 5 total. Andromeda - Tödlicher Staub aus dem All (1971) Logo.png 521 × 64; 49 KB. Bb horizontal bigger17170345.jpg 660 × 443; 202 KB. Gishiki - Wikillustration.png 592 × 414; 164 KB. Ottavia Piccolo in Bubù.jpg 656 × 352; 117 KB.
