Search results
- Mad Max: Fury Road (2016 Oscars) “Mad Max is a film we see with our ears” Above you can hear how sound editors, Mark Mangini and David White added so much richness and texture to the post apocalyptic world of Mad Max: Fury Road, for a well-deserved win.
- Arrival (2017 Oscars) The making of Heptapod communication. Sylvain Bellemare wins the Sound Editing Oscar for much more than alien noises. The sound team hiked up a mountain in New Zealand for three days just to record native New Zealand birds.
- Dunkirk (2018 Oscars) Oscar winning sound. Richard King is no amateur to sound design or being an Academy Award winner. Inception, The Dark Knight, and Master and Commander: The Far Side of the World, all won him an Oscar for Best Sound Editing.
- Inception (2011 Oscars) Oscar winner for Best Sound Editing. Listen to how Richard King and his sound team Lora Hirschberg, Gary Rizzo, and Ed Novick, work with Christopher Nolan to create a layered, dynamic soundscape, nearly as intricate as the story world itself.
* Sound Editing - Philip Stockton and Eugene Gearty * Sound Mixing - Tom Fleischman and John Midgley * Visual Effects - Rob Legato, Joss Williams, Ben Grossmann and Alex Henning
Apr 29, 2020 · Sound Gets No Respect, But Combining Its Two Oscar Categories Makes Sense. Sound design is woefully underappreciated, but the Academy's new Best Sound category is a better reflection of...
95th Oscars: Best Film Editing | Nominee Spotlight. Film editors are crucial in shaping a film's narrative and enhancing the viewer's experience. They artfully piece together footage, sound, and music to create impactful stories that keep us glued to the screen.
