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Since Bazin believes that the origins of an art reveal its nature, cinema’s quest for realism supports his claim for an objective and pure cinema. This “myth” which grew out of cinema’s beginnings stands as the touchstone cinema has progressively evolved toward.
- Bazin and “The River” as a Problem in The History of Film Theory, Part 1
Younger presents an involved argumentation and defense of...
- Re-reading Bazin's Ontological Argument
On its own terms, Bazin’s rigorous subordination of theory...
- Style as a Philosophical Idea
Vital to Bazin’s film theory is his conception of reality....
- Bazin and “The River” as a Problem in The History of Film Theory, Part 1
Apr 18, 2018 · Nearly everyone acquainted with him eulogised his wisdom alongside his personal goodness – and couched both in terms drawn from religious asceticism. While the merest rumour of the transcendental is enough to scandalise most film theorists, it helps to explain Bazin’s enduring appeal among those at least open to the possibility.
of personality. "17 Mr. Bazin felt, however, that if the auteur theory was practiced by people of taste who remained vigilant, the cult of personality would not be the principal aspect. What bothered him about the auteur theorists more than their negative approach to good films made by non-auteurs was their
André Bazin ( French: [bazɛ̃]; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist. He started to write about film in 1943 and was a co-founder of the renowned film magazine Cahiers du cinéma in 1951, with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca . He is notable for arguing that ...
May 17, 2024 · auteur theory, theory of filmmaking in which the director is viewed as the major creative force in a motion picture. Arising in France in the late 1940s, the auteur theory—as it was dubbed by the American film critic Andrew Sarris—was an outgrowth of the cinematic theories of André Bazin and Alexandre Astruc.
- The Editors of Encyclopaedia Britannica
Aug 9, 2022 · There is no such thing as one realism: systematising André Bazin’s film theory: New Review of Film and Television Studies: Vol 20 , No 3 - Get Access. New Review of Film and Television Studies Volume 20, 2022 - Issue 3. 1,165.
Jan 30, 2020 · By refusing to reshape the world according to an a priori thesis, Bazin’s idea of an anti-anthropocentric cinema seeks surprise, dialogue, risk, and experiment. Keywords: anthropocentric, anti-anthropocentric, anthropomorphic, realism, neorealism, perception, cognition, hallucination.
