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Aug 1, 2020 · The 1970s San Francisco was beautiful, flamboyant, and alive. There were, cable cars, neon lights lined up the buildings that glow at night, theaters on every block, and the food was served on the streets, crabs, and lobsters were also served on the streets. The city was at the forefront of fashion, music, and the counterculture movement.
- Chronicle Debut
- First Bay Area Concert with Fleetwood Mac
- ‘Tusk’ at The Cow Palace
- Always The Hippie
- Shoreline Steals Show from Nicks
- Band Shakes Off Rust at Reunion Session
- Hearing Old “Rumours”
- Pop Quiz
- Twirling in The Spotlight
- ‘Trouble’ and Paradise
The first mention of Nicks in The Chronicle arrived in 1974, when the pre-Fleetwood band named simply Buckingham Nicks opened for Hoyt Axton for six days at the Boarding House in San Francisco. (“HOYT AXTON also Buckingham Nicks,” the ad read.) Axton was credited as “a strong live performer,” while Buckingham Nicks was not reviewed.
Nicks played her first Bay Area gig with Fleetwood Mac at Day on the Green in Oakland in early 1975, then returned for three nights at the Winterland Ballroom in San Francisco. Chronicle music critic Joel Selvin’s review on Dec. 1, 1975, the first mention of Nicks in The Chronicle by her full name, hailed the new band and mentioned her “harsher, pi...
Fleetwood Mac played three sold-out nights from Dec. 14-16, 1979, at the Cow Palace for the “Tusk” tour. Selvin called Nicks “the weak link in the entire show,” but she was as always the most photogenic band member. Photographer John Storey’s image of Nicks under the Cow Palace spotlights is an all-time great Chronicle rock photo.
Nicks gave an interview to The Chronicle after the release of her hit solo album “Bella Donna” in 1981, crediting the Bay Area for shaping her as a performer. “My influences were straight out of Janis Joplin and Jimi Hendrix,” Nicks told The Chronicle in 1981. “For me, in terms of what I was going to do on stage, how I was going to sing and write, ...
In 1986, a solo Nicks was the first headliner at Bill Graham’s brand new Shoreline Amphitheatre in Mountain View, performing under the tent top that “looks like the world’s biggest brassiere.” “The precious poetic content of her lyrics read more like Hallmark than Dylan Thomas,” Selvin wrote, “but the romantic soap operas she spins obviously find t...
A decade later, Nicks was back with Fleetwood Mac and Selvin dropped in on one of the band’s rehearsals in May 1997. The story was headlined “Fleetwood Mac Thinks About Tomorrow / Band shakes off rust at reunion session”: Stevie Nicks fluffed the opening line to “Dreams.” Twice. She can be forgiven her nervousness. Not only was she filming a concer...
In October 1997, the band’s comeback tour made it to Shoreline. Selvin was not impressed, according to his story headlined “Hearing Old `Rumours’ / Fleetwood Mac about the same as before”: “Nicks looked tired, a fatigue that her heavy layer of cosmetics couldn’t disguise,” he wrote, “but the crowd’s adoration appeared to energize her as the proceed...
In April 1998, Nicks was once again a solo act, touring in support of a box set called “Enchanted” and contemplating her life choices, including that one time she talked about possibly adopting a child. “I don’t really need children. I have a niece who’s 6, who certainly fills my life up as far as a child goes. I’m going to just work on my work. I ...
At her solo concert in support of “Enchanted,” once again at Shoreline, in August 1998, she gave the audience full Stevie. Chronicle critic Neva Chonin noted: She assembled invisible runes in the air with snaky hand gestures, twirled a seemingly endless array of shawls, draped herself seductively over the microphone during “Rhiannon” and stomped he...
With a new solo album, “Shangri-La,” Nicks opened up to me about her substance abuse problems in an interview from 2001: Even though her years of cocaine abuse left a hole in her head the size of a Sacajawea gold dollar, she claims that the Klonopin did far more damage. “It was not my drug of choice,” she says. “I’m not a downer person. I was looki...
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The city is also associated with West Coast jazz and was one of the major centers of jazz fusion which took off in the 1970s. Here below is a collection of fascinating vintage photos that offer a glimpse into the street life of San Francisco. Photographer Nick DeWolf captured these photos in August of 1971. #1. 3 Points.
Recorded in San Francisco, CA, April 1965. 1-4 from 12" EP " The Autumn Demos - August 1965 " ( 1982 ) [Line Records LMS 3025 AN]. Originally unissued. Recorded in San Francisco, CA, August 1965. 1-5 from 5-CD Box Set " So Many Roads (1965-1995) " ( November 1999 ) [Arista / Grateful Dead Records GDCD 4066] credited to Grateful Dead.
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Dec 19, 1999 · 50. THE AVENGERS. Not only did the Avengers bring the British punk aesthetic to the Bay Area, they succeeded in upstaging the Sex Pistols at their notorious Winterland concert in 1978. "We Are the ...
Box Set. Profile: The alterna-rock five-piece Box Set casts jaunty layers of rootsy Americana to make a post-jangle pop sound. Coming together in 1991, frontman guitarist Jim Brunberg and acoustic guitarist Jeff Pehrson met at an open mic night in San Francisco. Their musical connection was instant, and quickly Brunberg and Pehrson quit their ...
Jul 19, 2019 · It cost 25 cents to ride the train throughout most of the 1970's. Photo of San Francisco Muni buses on Castro and 17th Streets, September 30, 1979. ... This punk rock band formed in San Francisco ...
